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Weeping Willow, Kimbell W1876 - Claude Monet

Weeping Willow, Kimbell W1876 - Claude Monet

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Weeping Willow, Kimbell W1876 - Claude Monet

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Weeping Willow, Kimbell W1876 - Claude Monet
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Weeping Willow, Kimbell W1876 - Claude Monet

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Claude Monet · 1918 -1919 · Kimbell AP 1996.02 · W1876

Weeping Willow, Kimbell W1876hand painted reproduction

A red trunk divides in the center before bearing a crown of gnarled branches. Around it, yellow-green curtains descend to a strip of clear water, while the left remains buried in blues and purples. Painted during the last years of the First World War, this Weeping Willow combines the presence of a precise Giverny tree with an exceptionally free and expressive material.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Weeping Willow, Kimbell W1876 - Claude Monet - full view
Weeping Willow, Kimbell W1876Claude Monet · 1918 -1919
1918 - 1919Dating
99.7 × 120 cmDimensions of the original
Oil on canvasOriginal technique
AP 1996.02 · Wildenstein 1876Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The red trunk shares a dark garden between mourning and breakthroughs of yellow light

The structure of the tree appears in fragments. The trunk rises from below in reds, pinks and purple-brown, then divides into branches that turn to the right. The foliage does not evenly fill the space: on the left, the blue-green touches compact; on the right, yellow and orange pierce between the branches and open a brighter area.

The bottom of the canvas brings together horizontal green, white, red and black marks. They can be read like the bank, the water and the roots, but Monet refuses any clear separation. Several layers overlap, some thick and knotted, others fluid like a glacis. The viewer recognizes the willow while following the material history of each cover.

The violence of the branches never erases the observation of the garden: it gives the real tree the emotional weight of a living monument.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Weeping Willow, Kimbell W1876 - Claude Monet
01

A trunk reconstructed by colored covers

Red, pink, orange, purple and green overlap in the trunk. The shape depends on these temperature changes more than on a continuous contour.

02

A cold left opposed to a hot right

The Kimbell observed unifying washes that were colder on the left and warmer on the right. Maintaining this seesaw gives the composition its luminous movement.

03

Painted surfaces, scraped then covered

Monet sometimes works wet on wet, sometimes on a dry layer, and scratches certain areas of foliage. Faithful reproduction must vary the thickness and allow the lower layers to breathe.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The trunk, its knots and the yellow-green breakthroughs - detail by Willow Weeping, Kimbell W1876 - Claude Monet
The trunk, its knots and the yellow-green breakthroughsThe crop shows how the reds of the wood are crossed with purple, orange and green. The branches blend into the luminous touches without losing their direction.
The dark shore and the superimposed layers - detail by Willow Weeping, Kimbell W1876 - Claude Monet
The dark shore and the superimposed layersIn the lower left, the blues, greens and reds are scraped or covered. This surface variety corresponds to conservation observations published by the Kimbell.

High definition scanning measures 3,600 × 2,991 px. Both native details measure 1,500 × 1,900 px and 1,700 × 1,500 px. No files have been artificially enlarged; all three media were encoded and controlled as true WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Kimbell AP 1996.02, Wildenstein 1876

The Kimbell Art Museum dates this Weeping Willow from 1918 -1919, indicates an oil on canvas of 99.7 × 120 cm and records it under the number AP 1996.02. The work corresponds to number 1876 of the Wildenstein catalog raisonné.

War context02

Ten Weeping Willows painted before 1919

The museum links this series to the mourning caused by the First World War. The Giverny estate had emptied, Monet's son was at the front and the artist sometimes heard the artillery, but he refused to leave his garden.

Provenance03

From Kojiro Matsukata to David Rockefeller

The painting belonged to Kôjiro Matsukata in 1924, was sequestered in France in 1944 then sold in 1947. It went through Sam Salz and the David Rockefeller collection before its acquisition by the Kimbell Art Museum in 1996.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Kimbell Art Museum, AP 1996.02 and W1876
  • The original horizontal ratio of 99.7 × 120 cm
  • The transition from the cold side on the left to the warm light on the right
  • The thicknesses, scrapings and washes differentiated around the trunk

Work sheet

Title Weeping Willow, Kimbell W1876
Artist Claude Monet (1840 -1926)
Date 1918 - 1919
Original technique Oil on canvas
Dimensions 99.7 × 120 cm
Orientation Horizontal
Conservation Kimbell Art Museum, Fort Worth, Texas, United States
Inventory AP 1996.02 · Wildenstein 1876
Your reproduction Handmade oil painting on canvas
Consult the official notice - Kimbell Art Museum

Presentation in your interior

A palette designed with the room

Forest green, acid yellow, earth red, deep purple and petroleum blue give this reproduction a dark and contemporary energy. It matches dark wood, leather, mineral walls and side light that reveals variations in material.

Weeping Willow, Kimbell W1876, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Claude Monet French painting – French artists Impressionist

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
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