Grindstone in the sun W1288, Kunsthaus Zürich - Claude Monet

Grindstone in the sun W1288, Kunsthaus Zürich - Claude Monet

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Grindstone in the sun W1288, Kunsthaus Zürich - Claude Monet

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Grindstone in the sun W1288, Kunsthaus Zürich - Claude Monet
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Grindstone in the sun W1288, Kunsthaus Zürich - Claude Monet

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Comprendre les formats

Trois rendus pour une même œuvre

Claude Monet · Meules series · 1891 · W1288

Grindstone in the sun W1288, Kunsthaus Zürichhand painted reproduction

In this Zurich version of Meules, the gerbier is so close that its top comes out of the painting. Monet signs and dates the painting Claude Monet 91; the work measures 60 × 100 cm, belongs to the Kunsthaus Zürich under inventory 1969/0007 and appears in the Wildenstein catalog under number 1288.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Grindstone in the sun W1288, Kunsthaus Zürich - Claude Monet - full view
Grindstone in the sun W1288, Kunsthaus ZürichClaude Monet · 1891
1891Dating
60 × 100 cmDimensions of the original
Oil on canvasOriginal technique
1969/0007 · Wildenstein 1288Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A rural motif becomes an almost abstract light experience

The millstone is neither centered like an emblem nor placed in a vast panorama. It advances to the foreground, slightly offset, while a strip of field and a sky without topographical detail isolate it.

The cold hues of shadow rise from the ground into the mass of straw. Facing them, the pinks and ochres of the light unify sky and gerbier, so that the depth remains sensitive without depending on a precise design.

The power of this version lies in a contradiction: the gerbier appears heavy and close, but its material dissolves in the same vibrant colors as the surrounding air.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An asymmetrical mass

The silhouette leans and tightens towards an invisible summit. The weight of the pattern is compensated by the clear expanse of the sky on the left and the cold band of the field.

02

The time entered in the palette

Monet adds no narrative. The pink, mauve, green and blue variations alone record the state of the atmosphere and how light reaches each side of the gerbier.

03

A canvas identified without ambiguity

The 60 × 100 cm format, the dated signature, the 1969/0007 inventory and the Wildenstein 1288 reference make it possible to distinguish this image from the many other millstones from 1890 -1891.

Reference image

Read this specific version

The file presents a single image, that of the work 1969/0007. The file is a real WebP of 1,200 × 723 px, kept at its original definition to avoid any false sharpness.

Composition01

A superior cut to preserve

The edge of the canvas actually interrupts the grinding wheel. Adding space above or reducing the pattern would change the monumental character Monet sought.

Color02

Never black shadows

Slate blue, purple and green make up the dark side. Their relationship with warm tones must remain readable, even in a small format reproduction.

Matter03

A surface organized by the brush

The keys accumulate obliquely on the straw and become flatter in the sky. The gesture contributes to the recognition of the pattern as much as the silhouette.

Documented benchmarks

Three pieces of information specific to this work

The Kunsthaus Zürich file sets the date, format, signature and material history of this Grindstone in the sun, Wildenstein 1288.

Exposure01

The cycle revealed at Durand-Ruel

A selection of Meules was exhibited in Paris in 1891. By repeating the same motif, Monet made the time, climate and season the real subject.

Composition02

The only gerbier cut at the top

The Kunsthaus notes the exceptional framing of W1288: no other version of the cycle lets the gerbier exceed the upper edge in this way.

Museum03

Purchase thanks to the Otto Meister legacy

Acquired in 1969, the work joined the Zurich collections under number 1969/0007. The canvas is today one of the millstones most closely associated with the museum.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The original format of 60 × 100 cm
  • Monumental gerbier asymmetry
  • Cold shadows mixed with straw
  • The colorful continuity between the field and the sky

Work sheet

Title Grindstone in the sun W1288, Kunsthaus Zürich
Artist Claude Monet (1840 -1926)
Date 1891
Original technique Oil on canvas
Dimensions 60 × 100 cm
Orientation Horizontal
Conservation Kunsthaus Zurich, Zurich, Switzerland
Inventory 1969/0007 · Wildenstein 1288
Your reproduction Handmade oil painting on canvas
Consult the official notice - Kunsthaus Zürich · 1969/0007

Presentation in your interior

A palette designed with the room

This muted harmony brings depth to a living room, bedroom or office. A warm ivory wall, smoked oak and some mauve, sage or slate blue accents accompany the canvas with discretion.

Meule in the sun W1288, Kunsthaus Zürich, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet Countryside Landscapes French painting – French artists

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

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