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Le Havre, bateaux de pêche sortant du port W296 par Claude Monet, 1874
  • Le Havre, bateaux de pêche sortant du port W296 par Claude Monet, 1874
  • Le Havre, bateaux de pêche sortant du port W296 par Claude Monet, 1874
Le Havre, fishing boats leaving port W296 - Claude Monet

Le Havre, fishing boats leaving port W296 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boats and ships in painting Boats by Claude Monet Boutique Claude Monet Eau et littoraux impressionnistes Fishermen in painting French painting – French artists Impressionist Impressionist Landscapes Japonism

Artwork description

Reproduction details

Claude Monet · Lively port, fishermen and sailboats in Le Havre · Private collection

Le Havre, fishing boats leaving port W296hand painted reproduction

From a high point on the quay, Monet embraces the port of Le Havre as the fishing boats reach the sea. Gray sails, masts, hulls and small boats crowd in front of a town almost dissolved in mist. The long format combines the movement of sailors on the pier with that of water and sky, without isolating a particular vessel.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Le Havre, fishing boats leaving port W296 - Claude Monet - full view
Le Havre, fishing boats leaving port W296Claude Monet · 1874
1874Dating
60 × 101 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 296Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The quay, sails and mist make up the rhythm of an active port

The pier descends diagonally from the left edge and bears a host of dark silhouettes. Some advance towards the boats, others group together near the water. In front of them, the masts and sails overlap in an irregular forest which gives the scale and density of maritime traffic.

On the right, several boats slide into the blue-green channel. The city of Le Havre is reduced to a bluish gray front behind the ships, almost confused with the overcast sky. A few orange, red and black accents awaken this cold dominant and guide the gaze from one hull to another.

Monet transforms a fishing trip into a panoramic experience: human activity, ships and the port atmosphere become a single movement.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diagonal dock facing the opening of the pool

The quay leads the eye from the crowd in the foreground towards the center of the port. Opposite, the water widens to the right edge; this opposition combines depth, circulation and a feeling of space.

02

Readable sails without careful drawing

Each boat is distinguished by a few light triangles, dark masts and touches of hull. The overlaps remain numerous, but the values and inclinations prevent the flotilla from becoming a confused mass.

03

A city melted into the sea air

The facades and port facilities are not detailed. Their blue grays extend the sky and install a luminous mist against which nearby boats appear sharper.

Reference image

Read this specific version

The visual corresponds to the fishing boats leaving the port in Le Havre, painted in 1874 and listed Wildenstein 296. The reference photograph was converted into a real WebP of 3,000 × 1,645 px, without artificial enlargement.

Composition01

The crowd must remain made up of small verticals

The silhouettes indicate collective activity rather than portraits. Varying their heights, spacing and a few colorful accents is enough to liven up the platform without overloading the stage.

Color02

The sails use several colored grays

Off-white, blue, mauve and beige differentiate planes and orientations. All white and opaque sails would remove mist and depth between ships.

Matter03

Water retains essentially horizontal touches

The reflections of the hulls and masts interrupt them without forming long straight lines. This contrast between vertical and horizontal directions makes the pool mobile.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1874, this oil on canvas measures 60 × 101 cm. It belongs to a private collection, is associated with an anonymous long-term loan to LACMA and bears the number Wildenstein 296.

Location01

Monet's great childhood port

Monet grew up in Le Havre and knows its quays, its pools and its changes in weather intimately. In 1874, he returned there with a perspective formed by his research on modern life and light in the open air.

Format02

An unusual width to embrace traffic

The proportions of 60 × 101 cm allow crowds, sailboats and small boats to be distributed over a vast horizon line. The port appears as an active system rather than as the setting of a single boat.

Identification03

Wildenstein 296 signature and catalog

The painting is signed lower left "Claude Monet 74". Its French title, its dating and its number 296 allow it to be distinguished from other views of Le Havre taken at the same time.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the long format and precise diagonal of the dock.
  • Stagger the masts and sails without aligning them.
  • Keep the distant city light and drowned in mist.
  • Reserve warm accents for shells, figures and reflections.

Work sheet

Title Le Havre, fishing boats leaving port W296
Artist Claude Monet (1840 -1926)
Date 1874
Original technique Oil on canvas
Dimensions 60 × 101 cm
Orientation Panoramic horizontal
Conservation Private collection, long-term anonymous loan to LACMA, Los Angeles, California, United States
Inventory Wildenstein 296
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Wikimedia Commons - Le Havre, fishing boats leaving the port, W296

Presentation in your interior

A palette designed with the room

This panoramic navy is suitable for a living room, office or dining room. A gray blue, smoked oak or soft black frame accompanies the port; a linen, pearl gray or mist blue wall reveals the sails.

Le Havre, fishing boats leaving port W296, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Le Havre, fishing boats leaving port W296 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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