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Falaise de Fécamp par Claude Monet, musée d’Orsay MNR 223

Fécamp Cliff - Claude Monet

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Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Peint à la main Huile sur toile, réalisée sur commande.
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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · Normandy coast · 1896 -1897 · MNR 223

Fécamp cliffhand painted reproduction

A high chalky wall descends from the upper right edge to a green and white sea. In the center, a dark promontory receives the shock of the waves, while a light rock in the foreground seems to advance in the foam. Dated 1897 by the Musée d'Orsay - the Wildenstein catalog locating it in 1896 - this oil on canvas of 65 × 100 cm is kept in Paris under the number MNR 223.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Fécamp Cliff - Claude Monet - full view
Fécamp cliffClaude Monet · 1897 (Wildenstein: 1896)
1897 (Wildenstein: 1896)Dating
65 × 100 cmDimensions of the original
Oil on canvasOriginal technique
MNR 223Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The Normandy cliff in direct contact with rough seas

The wide format is divided between the open sea on the left and the cliff which closes the entire right side. A light rock occupies the central bottom, then the coast forms a succession of projections towards the horizon. The gray sky almost merges with the offshore line.

The sea combines pale green, turquoise, blue gray and white. On the cliff, vertical touches of green, pink and purple cross the chalk. The foam, very thick near the rocks, visually connects the wall to the movement of the water.

The cliff is not a stable mass opposite the sea: its colors, streaks and edges themselves seem dissolved by humid air and sea spray.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A composition closed by the right wall

The viewer is placed as close as possible to the cliff, without panoramic recoil. This proximity increases the feeling of height and danger.

02

The wave rendered by a discontinuous matter

Whites, greens and grays overlap in short touches. The surf is readable around the rocks but never freezes in drawing.

03

A dating documented by two references

The notice from the Musée d'Orsay dates the work to 1897 and indicates that Daniel Wildenstein placed it in 1896. The sheet retains this documentary nuance.

Reference image

Read this specific version

A single high definition photograph of the work MNR 223 is used throughout the file and as the sole media for the product. The real WebP measures 3,000 × 2,034 px, from a museum file of 8,581 × 5,817 px, without artificial enlargement.

Composition01

Keep the cliff on the entire right edge

It must remain close and cut by the frame. Reducing it would transform this narrow view into a panoramic navy.

Color02

Preserve the light rock in the foreground

Its triangular mass gives the scale of the waves and creates the first depth level.

Matter03

Keep the water green and gray range

The sea is neither pure blue nor uniformly white. Cold variations make you feel overcast skies and hustle and bustle.

Documented benchmarks

Three pieces of information specific to this work

The Musée d'Orsay documents Falaise de Fécamp, oil on canvas of 65 × 100 cm, number MNR 223, dated 1897; the notice specifies that Wildenstein dates it from 1896.

Title01

A work also called Falaise near Dieppe

The official notice retains both designations. The landscape belongs to Monet's research on the cliffs of the Normandy coast in the late 1890s.

Status02

A work National Museums Recovery

Found in Germany after the Second World War, the painting was entrusted to the custody of national museums in 1950. It bears the number MNR 223.

Conservation03

Assigned to the Musée d'Orsay

After being deposited in Nice then in Agen, the work returns to the Musée d'Orsay in 2021. The official notice gives its current location in Paris.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The MNR 223 version
  • The chalky cliff pressed against the right edge
  • The light rock in the foreground
  • The green and white sea under an overcast sky

Work sheet

Title Fécamp cliff
Artist Claude Monet (1840 -1926)
Date 1897 (Wildenstein: 1896)
Original technique Oil on canvas
Dimensions 65 × 100 cm
Orientation Horizontal
Conservation Musée d'Orsay, Paris, France
Inventory MNR 223
Your reproduction Handmade oil painting on canvas
Consult the official notice - Musée d'Orsay · MNR 223

Presentation in your interior

A palette designed with the room

This panoramic navy is suitable for a living room, office or dining room. A pearl gray, sea green or slate blue wall and a natural setting highlight its fresh light.

Falaise de Fécamp, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Fécamp Cliff - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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