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Daylilies by the water W1819 - Claude Monet

Daylilies by the water W1819 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses
Daylilies by the water W1819 - Claude Monet

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Daylilies by the water W1819 - Claude Monet
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Daylilies by the water W1819 - Claude Monet

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Claude Monet · 1914 -1917 · private collection · W1819

Waterfront daylilies W1819hand painted reproduction

Orange-red daylilies appear at the edge of the pool, surrounded by long acid green leaves. Behind them, the water mixes blue, purple, green and brown without revealing a clear edge. In this large square canvas from 1914 -1917, Monet brings the gaze so close to his garden that the vegetation and the reflection become the same field of color.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Waterfront Daylilies W1819 - Claude Monet - full view
Waterfront daylilies W1819Claude Monet · 1914 -1917
1914 - 1917Dating
200 × 200 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1819Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The orange flowers burst between the tufts of leaves while the pond absorbs any stable boundary

Three groups of plants structure the canvas: a dark tuft at the bottom left, a wider mass in the center and another on the right. Their long, curved leaves rise towards the water, then merge with the blue and green gestures of the reflection.

The flowers are few in number but very intense. Vermilion red, orange and some yellow accents detach them from the surrounding purple blue. Their irregular distribution prevents the composition from becoming decorative and guides the eye throughout the square format.

The bank and the water no longer oppose each other: the same gestures pass from the leaves to the reflections, while the orange keeps the flowers on the surface.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diving framing without horizon

Monet places the viewer above the edge of the pool. The ground, shore and water overlap; this ambiguity must be preserved rather than clarified by invented contours.

02

Orange as a complementary color

Hot daylilies vibrate on contact with blues and purples. A few accents are enough: too much red would weaken the plant balance of the canvas.

03

Foliage drawn by gesture

The long leaves are not described one by one. They are born from rapid curves, sometimes repeated in yellow or blue, which give each tuft its movement.

Reference image

Read this specific version

The single reference image measures 1413 × 1413 px. It has been converted to true WebP at its native resolution, without artificial enlargement.

Composition01

Three masses around an open center

The plant tufts frame an area of calmer water in the middle. This breathing prevents the two square meters of canvas from becoming uniformly dense.

Color02

Lime green, cobalt blue and orange-red

The palette is bold but remains linked by intermediate olive, turquoise and mauve tones. Transitions matter as much as sharp contrasts.

Matter03

A free material from the late period

The keys cross and leave their directions visible. Oil reproduction must preserve these differences in thickness without smoothing the surface.

Documented benchmarks

Three pieces of information specific to this work

These landmarks concern Daylilies at the water's edge, private collection, Wildenstein 1819.

Identification01

Wildenstein 1819

The catalog raisonné dates this oil on canvas from 1914 -1917 and gives it the number 1819. Its square format measures 200 × 200 cm.

Pattern02

The red daylily in the Giverny garden

Orange flowers are daylilies, perennial plants grown at the edge of the Monet basin. They appear here with their long arched leaves.

Series03

A work close to the large decorations

Through its scale, its framing without horizon and its ample touch, the canvas belongs to the monumental research that Monet carried out from 1914 around his water garden.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact Wildenstein 1819 version in private collection
  • The original square ratio of 200 × 200 cm
  • Orange flowers kept punctual within blues and greens
  • The limit between vegetation and reflection kept deliberately ambiguous

Work sheet

Title Waterfront daylilies W1819
Artist Claude Monet (1840 -1926)
Date 1914 - 1917
Original technique Oil on canvas
Dimensions 200 × 200 cm
Orientation Square
Conservation Private collection, Work documented by the catalog raisonné
Inventory Wildenstein 1819
Your reproduction Handmade oil painting on canvas
Consult the official notice - Wikimedia Commons, reference Wildenstein 1819

Presentation in your interior

A palette designed with the room

Bright green, purple blue, turquoise, orange and olive give this square reproduction an energetic presence. It is suitable for a clear wall in a living room or entrance, with dark wood or natural materials.

Waterfront daylilies W1819, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet Decorative Paintings French painting – French artists

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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