An unusual vertical format
The height reinforces the facade and the pole of the foreground. It also leaves enough space for the sky to become a main player.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · The Trouville resort in 1870 · Musée d'Orsay
The hotel's facade rises almost to the full height, preceded by a promenade where elegant ones are nothing more than a few dark accents. Flags whipped by the wind and heavy skies dominate the scene. Monet captures the modern seaside resort with his movement more than his architecture.

Look at the work
The hotel occupies the left half and stands in a very shortened perspective. Its balconies, windows and roof are indicated without dry precision. At the promenade level, small black and colorful silhouettes give the scale of the building.
On the right, the sky opens wide. The oblique poles and flags form a succession of diagonals which animate the entire vertical format. In the foreground, the large red and white striped flag almost seems to emerge from the painting.
The architecture remains still, but the clouds, fabrics and quick touches make you feel the same wind coming from the sea.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The height reinforces the facade and the pole of the foreground. It also leaves enough space for the sky to become a main player.
The large flag, the walkers, the successive masts and the hotel partially overlap. These close-ups replace a long-developed perspective.
The red and white bands are not perfectly regular. Their deformation and open edges give the flag its movement.
Reference image
The unique reference corresponds to the RF 1947 30 inventory of the Musée d'Orsay. The vertical file of 2073 × 3000 px has retained its native definition and has been encoded directly in WebP.
It goes near the lower edge and directs the gaze towards the sky. Its inclination must remain stronger than that of the facade.
Clouds do not constitute a neutral background: their cold and hot passages give light to the whole.
Hats and dresses are reduced to a few touches. Too much detail would reduce the feeling of distance and the liveliness of the walk.
Documented benchmarks
This oil on canvas measuring 81 × 58 cm, painted in 1870, is kept at the Musée d'Orsay under the inventory RF 1947 30 and corresponds to Wildenstein number 155.
Monet married Camille Doncieux on June 28, 1870 and stayed with her in Trouville during the summer. He observes the beach, the hotels and the elegant society of the Normandy coast.
The subject owes a lot to the example of Eugène Boudin, familiar with Normandy beaches. Monet, however, tightens the scene and gives the flags an almost abstract presence.
Passed through the collections of Jean then Jacques Laroche, the painting was donated to the National Museums in 1947 with usufruct reservation. It was assigned to the Musée d'Orsay in 1986.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Hôtel des Roches Noires, Trouville W155 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1870 |
| Original technique | Oil on canvas |
| Dimensions | 81 × 58 cm |
| Orientation | Horizontal |
| Conservation | Musée d'Orsay, Paris, France |
| Inventory | RF 1947 30 · Wildenstein 155 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Its verticality and red accents are suitable for a narrow section of wall, an entrance or a seaside living room. A black, patinated white or dark wood frame reinforces the poles and lets the sky breathe.
Custom order
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Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
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