An open perspective like an invitation
The wide trapezoidal path starts from the lower edge and leads directly towards Jean then towards the door. The viewer seems to be able to enter the garden.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Camille and Jean in front of the family home · Art Institute of Chicago
Jean Monet stops with his hoop in the middle of a wide alley, while Camille appears in the doorway. The facade with red shutters, covered with vines, borders a meticulously flowered garden punctuated with large blue pots. In 1873, Monet painted the new stability of his life in Argenteuil in a clear, calm and very personal scene.

Look at the work
The facade occupies the entire right side and leaks towards the bottom. Its cool shade covers part of the path, while the left garden receives more sun. Jean, small and almost centered, serves as a pivot between these two areas.
The blue and white pots punctuate the borders in two irregular rows. Red of the flowers and shutters, green of the foliage, yellow of the house and blue of the sky respond to each other around the beige path. Camille, in a blue dress, blends into the shadow of the door.
Long before Giverny, Monet already composed a garden like a painting: path, pots, flowers and figures are placed to lead the light to the house.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The wide trapezoidal path starts from the lower edge and leads directly towards Jean then towards the door. The viewer seems to be able to enter the garden.
The blue pots are neither identical nor evenly spaced. Their size variations and the red spots of the flowers establish a living rhythm along the facade.
The Art Institute connects the tranquility of the stage to recent sales in Durand-Ruel. The rented home in Argenteuil then gave Monet new financial and family stability.
Reference image
The visual corresponds to La Maison de l'artiste in Argenteuil, 1873, inventory 1933.1153 of the Art Institute of Chicago and catalog Wildenstein 284. The unique WebP measures 2,200 × 1,789 px, definition of the exact file selected, without artificial enlargement.
Beiges, pinks, blues and greens shape its surface. A uniform path would eliminate the gradual passage between sun and facade.
Their white and blue decor varies depending on the distance. They must decrease towards the background while maintaining distinct silhouettes.
Their clothes are indicated by a few touches. Detailing them like isolated portraits would break the scale and tranquility of the garden.
Documented benchmarks
Painted in 1873, this oil on canvas measures 60.2 × 73.3 cm. It is kept at the Art Institute of Chicago under the inventory 1933.1153 and listed as Wildenstein 284.
The Chicago notice identifies Monet's five- or six-year-old son and his wife. Their positions give the garden the character of a truly inhabited daily space.
The family rented the Aubry house, at the corner of rue Pierre-Guienne and boulevard Saint-Denis, from December 1871 to the summer of 1874. It was demolished in 1913.
The painting joins the Art Institute with the collection of Martin A. Ryerson and his wife. It is today presented in the 201 gallery according to the museum notice.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Artist's House in Argenteuil W284 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1873 |
| Original technique | Oil on canvas |
| Dimensions | 60.2 × 73.3 cm |
| Orientation | Horizontal |
| Conservation | Art Institute of Chicago, Chicago, United States |
| Inventory | 1933.1153 · Wildenstein 284 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This family garden is suitable for a living room, bedroom or bright entrance. A weathered white, light oak or gray blue frame accompanies the pots; a cream, sage green or pale blue wall reveals the facade.
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