Antibes W1160 - Claude Monet

Antibes W1160 - Claude Monet

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Antibes W1160 - Claude Monet

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Antibes W1160 - Claude Monet
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Antibes W1160 - Claude Monet

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Comprendre les formats

Trois rendus pour une même œuvre

Claude Monet · Antibes · 1888 · W1160

Antibes W1160hand painted reproduction

The old town of Antibes and the towers of Château Grimaldi emerge in front of a long chain of snow-capped Alps, between a milky sky and a silvery sea. Signed and dated Claude Monet 88 lower left, this oil on canvas measuring 65.4 × 81.3 cm belongs to the Pérez Simón collection and corresponds to Wildenstein 1160.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Antibes W1160 - Claude Monet - full view
Antibes W1160Claude Monet · 1888
1888Dating
65.4 × 81.3 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1160Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Antibes seems to float between the Mediterranean and the Alps

The city occupies a compact area to the left of the center, set on a dark promontory. The two vertical towers dominate the light walls, but remain small facing the mountain range which crosses almost the entire width.

Sky, snow and water share pinkish whites, pale blues and pearly grays. A few more intense oranges and purples in the foreground anchor the scene and prevent light from completely dissolving the shore.

Monet brings together in the same harmony the warmth of the coast and the snow of the Alps: two climates visible at the same time from Antibes on a clear day.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The off-center city

Placed slightly to the left, Antibes does not become an isolated monument. It serves as a measure between the expanse of the sea in the foreground and the almost unreal mass of the mountains.

02

An alpine chain painted in small breaks

The peaks are drawn by blue, pink and white accents without continuous outline. They must remain distant while clearly colder than the city.

03

The Mediterranean made almost silver

Instead of a uniform blue, water mixes whites, pinks, grays and horizontal blue lines. This vibration reflects the sky and gives its luminous calm to the composition.

Reference image

Read this specific version

Only one exact image of W1160 is used. The real WebP measures 3000 × 2364 px, obtained by reducing the source by 4500 × 3546 px without artificial enlargement.

Composition01

Preserve the small scale of Antibes

The towers structure the view but must not become massive. Their finesse maintains the panoramic relationship between city, sea and mountains.

Color02

Keep the Alps pink and blue

Snow receives warm light and cold shadows. Pure white would remove atmospheric volumes and depth.

Matter03

Keep horizontal touches of water

They vary in length, color and density. Their superposition makes the Mediterranean shimmer without transforming it into a smooth surface.

Documented benchmarks

Three pieces of information specific to this work

Christie's documents Antibes, oil on canvas from 1888, 65.4 × 81.3 cm, signed and dated lower left, and listed Wildenstein 1160.

Campaign01

A Mediterranean stay from January to May 1888

Monet moved to Antibes to study a brighter light than that of Normandy. He paints the coast, the gardens, the fortified city and the Alps visible in the distance.

Provenance02

Durand-Ruel acquired the painting in October 1890

The work then passed through Jean d'Alayer, Sam Salz, Theodore Cummings and the Newhouse Galleries before joining the Pérez Simón collection.

Version03

The Wildenstein 1160 canvas

The old town in the center left, the two towers, the long snow-covered range and the almost white sea precisely distinguish this view from other Antibes from 1888.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1160 version
  • The two towers of the old town
  • The snowy Alps in the background
  • The silver sea in the foreground

Work sheet

Title Antibes W1160
Artist Claude Monet (1840 -1926)
Date 1888
Original technique Oil on canvas
Dimensions 65.4 × 81.3 cm
Orientation Horizontal
Conservation Pérez Simon Collection, Mexico
Inventory Wildenstein 1160
Your reproduction Handmade oil painting on canvas
Consult the official notice - Christie's · Antibes · W1160

Presentation in your interior

A palette designed with the room

This luminous composition is suitable for a living room, dining room or bedroom. A mineral pink, mist blue or pearl gray wall and a light frame underline its Mediterranean softness.

Antibes W1160, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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