Pins designed from the first installation
The museum's technical study shows that Monet established the network of trunks very early on, then developed the city, the sea and the foliage around him.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Ligurian Riviera · 1884 · W854
Winding pines almost cover the view of Bordighera: the village and its bell tower appear between the trunks, in front of a thin strip of Mediterranean. This oil on canvas measuring 65 × 80.8 cm, signed Claude Monet 84, is the 1922.426 version of the Art Institute of Chicago, Wildenstein 854.

Look at the work
The curved trunks cross the canvas like a network. The city occupies only a low, light strip, while the much closer foliage controls the rhythm of the entire composition.
The pink and cream facades heat the center; the blue sea and sky cool the background. The greens in the foreground contain yellows and purples which prevent the vegetation from becoming compact.
W854 replaces the expected panorama with a filtered vision: the nearby vegetation determines what the viewer can see of the city and the sea.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The museum's technical study shows that Monet established the network of trunks very early on, then developed the city, the sea and the foliage around him.
Examinations revealed a first position of the bell tower to the right of the central trunk. Monet moves it to the left so that it remains visible between the trees.
Inventory 1922.426, the format of 65 × 80.8 cm and Wildenstein 854 identify the canvas entered Chicago with the Potter Palmer Collection.
Reference image
Only one reference image is used. The exact scan of W854 is provided in true WebP of 3000 × 2414 px, without artificial enlargement.
The trunks never form a regular grid. Their inflections and intervals produce the balance between obstruction and opening.
Monet adds light, thick accents to suggest the sun. They must remain punctual so as not to cut out trees like silhouettes.
The preparation appears in places under the keys, while the trunks and certain foliage receive a more loaded material.
Documented benchmarks
The Art Institute of Chicago documents Bordighera, oil on canvas from 1884, 65 × 80.8 cm, inventory 1922.426 and Wildenstein 854.
Monet returned alone to Bordighera in January 1884 and extended his stay for almost three months to respond to new vegetation and light.
The ancient village is seen from a height. The bell tower and facades serve as landmarks in the middle of a framing dominated by trees.
The signature and date appear at the bottom left in a red-brown tint integrated into the foliage.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Bordighera W854 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1884 |
| Original technique | Oil on canvas |
| Dimensions | 65 × 80.8 cm |
| Orientation | Horizontal |
| Conservation | Art Institute of Chicago, Chicago, United States |
| Inventory | 1922.426 · Wildenstein 854 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Bordighera brings dense plant depth to a living room or library. A stone wall, walnut and deep blue or ocher accents highlight the city and the sea.
Custom order
A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.
Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
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