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Intérieur, après dîner W130 par Claude Monet, 1868-1869, National Gallery of Art
  • Intérieur, après dîner W130 par Claude Monet, 1868-1869, National Gallery of Art
  • Intérieur, après dîner W130 par Claude Monet, 1868-1869, National Gallery of Art
Interior, after dinner W130 - Claude Monet

Interior, after dinner W130 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet French painting – French artists Impressionist Interiors in painting Japonism National Gallery of Art – Washington, D.C., United States

Artwork description

Reproduction details

Claude Monet · A dining room lit by lamp and fire · National Gallery of Art

Interior, after dinner W130hand painted reproduction

In an almost black room, a hanging lamp illuminates the round table, three cups and the silhouettes of two women. A bearded man leans against the fireplace where the fire is still burning. Monet constructs this scene from 1868 -1869 with a few bright foci - lampshades, yellow tablecloth, faces, porcelain and embers - which bring out a silent intimacy from the darkness.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Interior, after dinner W130 - Claude Monet - full view
Interior, after dinner W130Claude Monet · 1868 -1869
1868 - 1869Dating
50.2 × 65.4 cmDimensions of the original
Oil on canvasOriginal technique
1983.1.26 · Wildenstein 130Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Two opposite lights reveal the figures in a dark dining room

The brass lamp hangs to the left of the center. Its light lampshade diffuses concentrated light on the oval table, the tea set and the woman sitting facing the viewer. A second woman, seen from behind in a slate blue dress, occupies the foreground and connects the table to the fireplace.

On the right, the man in the black suit leans over the fireplace mantel. The mirror partially reflects the heads and a blue-gray vase, enlarging the space without making it lighter. The flowered curtain, the striped carpet and the embers bring reds and ochres which respond to the warmth of the lamp.

The room is not described by its walls, but by the islands of light that bring people and objects together.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The lamp as a light axis

Placed almost in the center of the left half, it immediately catches the eye. Its light descends on the table then weakens towards faces and clothes, organizing the scene by degrees rather than by contours.

02

Two distinct heat sources

The lamp produces a pale, metallic yellow; the fire diffuses oranges and reds lower down. Between them, blacks, greens and blues remain colored, which prevents the interior from becoming monochrome.

03

Figures embedded in the shadows

The characters are not cut out like in a collective portrait. The man's costume merges with the darkness, the back dress takes up the blue of the decor and only the faces or collars briefly capture the light.

Reference image

Read this specific version

The image opened to the public by the National Gallery of Art corresponds to inventory 1983.1.26 and Wildenstein number 130. The file was limited to 3,000 × 2,321 px then encoded in WebP, without artificial enlargement.

Composition01

The lampshade remains bright without being pure white

Ivory, yellow and gray shape its sides and frames. A uniform white area would remove the construction of the lamp and disrupt the balance with the table.

Color02

Black contains color

Deep green, brown, slate blue and dark red circulate in the darkness. These shades allow you to separate curtain, wall, costume and furniture without artificially lightening the scene.

Matter03

The fire responds to the table without dominating it

The embers are concentrated in the chimney opening and reflect lightly on the carpet. Their intensity must remain local so that the lamp retains its main role.

Documented benchmarks

Three pieces of information specific to this work

Made in 1868 -1869, this oil on canvas of 50.2 × 65.4 cm is signed Claude Monet in red at the bottom left. It is kept at the National Gallery of Art under the 1983.1.26 inventory and classified Wildenstein 130.

Historical title01

Exhibited in 1880 as The Dining Room

The National Gallery of Art documents his presentation at the La Vie Moderne gallery, under number 16. Other titles have circulated, including Famille Sisley, but the current inventory retains Interior, after Dinner.

Provenance02

A story followed since Eugène Deudon

The work goes through Durand-Ruel, Swedish collections then Hirschl & Adler in New York. Paul Mellon acquired it in 1966 with his wife before offering it to the National Gallery of Art in 1983.

Collection03

Gift of Paul and Bunny Mellon

The credit note published by the museum is Collection of Mr. and Mrs. Paul Mellon. The image is distributed freely, which allows you to precisely study the dark values and the red signature.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the contrast between lamp, table and darkness.
  • Color black with green, blue, brown and red.
  • Holding partially fused figures in space.
  • Limit the brightness of the fire to the nearby fireplace and carpet.

Work sheet

Title Interior, after dinner W130
Artist Claude Monet (1840 -1926)
Date 1868 - 1869
Original technique Oil on canvas
Dimensions 50.2 × 65.4 cm
Orientation Horizontal
Conservation National Gallery of Art, Washington, United States
Inventory 1983.1.26 · Wildenstein 130
Your reproduction Handmade oil painting on canvas
Consult the reference notice - National Gallery of Art - 1983.1.26

Presentation in your interior

A palette designed with the room

This intimate scene is suitable for a library, living room or dining room with deep tones. A dark walnut, weathered black or bronze frame highlights the gold of the lamp and the fire; soft, side lighting preserves subtle passages from darkness.

Interior, after dinner W130, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Interior, after dinner W130 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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