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The Japanese, Camille Monet W387 - Claude Monet

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The Japanese, Camille Monet W387 - Claude Monet

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The Japanese, Camille Monet W387 - Claude Monet

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The Japanese, Camille Monet W387 - Claude Monet

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Claude Monet · Camille in a kimono in the middle of sixteen fans · Museum of Fine Arts Boston

The Japanese, Camille Monet W387hand painted reproduction

Camille Monet turns around in a bright red kimono whose back bears an embroidered warrior. She raises a tricolor fan and smiles towards the viewer; around her, sixteen Japanese fans stand out against a blue-gray wall. Monet transforms the great tradition of portraiture into a spectacular staging of Parisian Japonism.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Japanese, Camille Monet W387 - Claude Monet - full view
The Japanese, Camille Monet W387Claude Monet · 1876
1876Dating
231.8 × 142.3 cmDimensions of the original
Oil on canvasOriginal technique
56.147 · Wildenstein 387Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A monumental red stands out against the blue of the fans

The figure occupies almost the entire height of the canvas. Camille turns her chest towards the viewer, but her long red train spreads to the left on the ground mats. The diagonal of the open fan extends the movement of his head and arms.

The kimono wears embroidery of foliage, birds and a warrior brandishing a sword. The relief of the embroidered face creates the illusion of a second figure. On the wall, the round, folding fans form an irregular constellation rather than continuous wallpaper.

The painting deliberately contrasts Camille's Western identity, accentuated by her blonde wig, with the accumulation of Japanese objects surrounding her.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Red as the main architecture

The kimono descends from the upper body to the wide train. Its folds, gold and embroidery prevent this dominant surface from becoming flat.

02

A pose designed to show the back of the garment

Camille turns her shoulders while looking at the viewer. This twist makes the embroidered warrior visible and transforms the costume into a major subject.

03

Sixteen fans to liven up the background

Their sizes, angles and patterns are constantly changing. The blue spaces between them allow the red silhouette to remain readable.

Reference image

Read this specific version

The unique reference corresponds to inventory 56.147 of the Museum of Fine Arts Boston, Wildenstein version 387. The file of 1,494 × 2,454 px was preserved without enlargement and encoded in WebP.

Composition01

Camille's face remains very clear

Its skin tone, blond hair and white fan form the main luminous group above the kimono.

Color02

The embroidered warrior has its own volume

His face, armor and sword follow the folds of the textile. It must appear embroidered on the garment, not placed in front of the face.

Matter03

The floor changes the direction of the decor

Geometric mats create oblique lines under the train and stabilize the depth of the foreground.

Documented benchmarks

Three pieces of information specific to this work

Signed and dated 1876, this oil on canvas measuring 231.8 × 142.3 cm is kept at the Museum of Fine Arts Boston under inventory 56.147 and classified Wildenstein 387.

Exposure01

Presented as Japonerie in 1876

Monet shows the canvas at the impressionist group's second exhibition. Its scale, color and subject immediately attract comments, both favorable and critical.

Model02

Camille Monet directed as a Parisian

Camille, naturally brunette, wears a blonde wig. The Museum of Fine Arts emphasizes that this choice affirms its Western identity among Japanese objects that have become highly sought after in Paris.

Japonism03

A fascination as brilliant as it is ambiguous

The painting testifies to the European craze for Japanese prints, textiles and objects after the commercial opening of Japan. Its theatricality invites us to look at both the virtuosity of the painter and the way in which Parisian fashion transformed these objects into exotic decor.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the monumental vertical format.
  • Model the red folds with gold, black and white.
  • Follow the warrior's embroidery with the volumes of the kimono.
  • Keep the sixteen separate fans on the blue-gray background.

Work sheet

Title The Japanese, Camille Monet W387
Artist Claude Monet (1840 -1926)
Date 1876
Original technique Oil on canvas
Dimensions 231.8 × 142.3 cm
Orientation Horizontal
Conservation Museum of Fine Arts, Boston, Boston, Massachusetts, United States
Inventory 56.147 · Wildenstein 387
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Museum of Fine Arts Boston - 56.147

Presentation in your interior

A palette designed with the room

This spectacular composition is suitable for a large living room wall, high entrance or reception area. A lacquered black, gold or red-brown frame dialogues with the kimono; a petrol blue or light gray wall reinforces its contrast.

The Japanese, Camille Monet W387, paints for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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