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The Japanese Bridge, Marmottan W1924 - Claude Monet

The Japanese Bridge, Marmottan W1924 - Claude Monet

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The Japanese Bridge, Marmottan W1924 - Claude Monet

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The Japanese Bridge, Marmottan W1924 - Claude Monet
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The Japanese Bridge, Marmottan W1924 - Claude Monet

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Claude Monet · 1918 -1924 · Marmottan Monet Museum · W1924

The Japanese Bridge, Marmottan W1924hand painted reproduction

The bridge arch is almost engulfed by purple-brown, green and red material. A yellow light bursts in the upper left corner, while the right side remains closed by blue-black verticals. In this late version, Giverny's familiar motif is no longer described: it emerges in densities, key directions and temperature contrasts.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Japanese Bridge, Marmottan W1924 - Claude Monet - full view
The Japanese Bridge, Marmottan W1924Claude Monet · 1918 -1924
1918 - 1924Dating
89 × 100 cmDimensions of the original
Oil on canvasOriginal technique
inv. 5091 · Wildenstein 1924Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The bridge remains like a dark curve in the middle of a garden that has become material

The upper edge concentrates the warmest colors. Yellow, orange and light green open the left corner, then are absorbed by red browns and purples. Below, the bridge forms a wide, almost horizontal curved band. Its railing and apron merge with the branches, but several lighter lines maintain the arch.

Under the bridge, the water is painted with short, dark markings, mixing olive green, burgundy and blue. The right side descends into long purple-black verticals which close the space. A few yellow and red accents placed near the edges prevent the canvas from reducing to a dark mass and circulate an interior light.

The recognition of the bridge arises less from a design than from a resistance: a dark curve still stands in the middle of vertical thrusts and thick colors.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of The Japanese Bridge, Marmottan W1924 - Claude Monet
01

An arch almost absorbed by vegetation

The shape of the bridge must remain perceptible without being redesigned. Its contours are constructed by changes of direction and temperature among browns and greens.

02

Warm light concentrated in a single angle

The yellow of the top left is the main bright focus. Its contrast with the purples on the right side organizes the entire canvas and must maintain its intensity without whitening.

03

A long, thick and contradictory late touch

Verticals, curves and small horizontals partially overlap. Keeping their directions distinct restores the tension of this late painting.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The last Japanese Bridges exhibited at the Marmottan - detail of The Japanese Bridge, Marmottan W1924 - Claude Monet
The last Japanese Bridges on display at MarmottanThe actual photograph of the room shows several late versions gathered on the same wall. It allows you to compare their formats, their dark dominants and their hot light foci.
The dark arch under the reds and purples - detail of The Japanese Bridge, Marmottan W1924 - Claude Monet
The dark arch beneath the reds and purplesThe native detail shows the layering of keys on deck and in the water. Greens, burgundy and blues remain visible separately even in the darkest areas.

The best native occurrence found of this exact version measures 755 × 655 px; it has been preserved without enlargement. The actual view of the room measures 1000 × 900 px and the native detail 560 × 520 px. All three files were encoded and verified as true decodable WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Marmottan 5091, Wildenstein 1924

This unsigned oil on canvas, painted between 1918 and 1924, measures 89 × 100 cm. It belongs to the Marmottan Monet Museum under number 5091 and corresponds to number 1924 of the Wildenstein catalog raisonné.

Pattern transformed02

From the descriptive bridge to an almost abstract vision

Monet represents the Giverny footbridge from the 1890s. In its latest versions, the arch remains recognizable but vegetation, light and pictorial material invade the structure until removing any stable separation between object and atmosphere.

Collection03

One of the last Japanese bridges in the Michel Monet collection

The Marmottan Monet Museum is the only place to preserve this exceptional set of last Japanese Bridges. Canvas 5091 entered its collections with the legacy of Michel Monet in 1966.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Marmottan Monet Museum, inv. 5091 and W1924
  • The original format of 89 × 100 cm
  • The arch kept visible without adding artificial contours
  • The contrast between the yellow angle and the preserved purple-brown mass

Work sheet

Title The Japanese Bridge, Marmottan W1924
Artist Claude Monet (1840 -1926)
Date 1918 - 1924
Original technique Oil on canvas
Dimensions 89 × 100 cm
Orientation Horizontal almost square
Conservation Marmottan Monet Museum, Paris, France
Inventory inv. 5091 · Wildenstein 1924
Your reproduction Handmade oil painting on canvas
Consult the official notice - Marmottan Monet Museum

Presentation in your interior

A palette designed with the room

Bordeaux, olive green, black purple, red brown and golden yellow give this reproduction a deep and modern presence. It is suitable for a sober interior, a library or a living room with natural materials, with side light which reveals surface variations.

The Japanese Bridge, Marmottan W1924, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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