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The Japanese Bridge, Marmottan W1911 - Claude Monet

The Japanese Bridge, Marmottan W1911 - Claude Monet

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The Japanese Bridge, Marmottan W1911 - Claude Monet

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The Japanese Bridge, Marmottan W1911 - Claude Monet
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The Japanese Bridge, Marmottan W1911 - Claude Monet

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Claude Monet · 1918 · Marmottan Monet Museum · W1911

The Japanese Bridge, Marmottan W1911hand painted reproduction

The Japanese footbridge barely crosses this panoramic canvas: its blue green arch merges with a pool loaded with pink, yellow and red-brown. Above, the plants descend in long vertical touches; below, the water lilies and their reflections blur the boundary between the water and the garden. The thick material gives the late pattern an almost wall-mounted presence.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Japanese Bridge, Marmottan W1911 - Claude Monet - full view
The Japanese Bridge, Marmottan W1911Claude Monet · 1918
1918Dating
100 × 200 cmDimensions of the original
Oil on canvasOriginal technique
5079 · Wildenstein 1911Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The footbridge is no longer an isolated object, but a curve caught in all the vegetation

The arch occupies the middle band and remains mostly readable thanks to two parallel dark lines. Its posts are lost in the green, purple and red fallout. The upper center is brighter: warm yellows and roses open a depth without forming a sky.

The pool fills the lower half. The pink water lilies are scattered in small groups, while the yellow and dark green reflections descend almost vertically. The edges left visible in places recall Monet's direct gesture and the great width of this two-meter canvas.

The bridge remains recognizable because its curve still resists, but the entire garden seems to be absorbing it.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of The Japanese Bridge, Marmottan W1911 - Claude Monet
01

An arch readable by repetition rather than by outline

Two green and red-brown curves describe the footbridge. They are interrupted by the material and by the plants, which avoids any regular or decorative design.

02

Plant verticals that cross the format

Especially on the right, the emerald green, purple and blue touches fall from the top towards the water. They create a frontal depth and accentuate the large width of the panel.

03

A thick and discontinuous late material

The colors are not melted into glaze. Yellow, pink, turquoise and red remain visible in the impasto, sometimes even on the not entirely covered edges of the canvas.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The footbridge almost absorbed by the material - detail of The Japanese Bridge, Marmottan W1911 - Claude Monet
The footbridge almost absorbed by the materialThe detail reveals the two curved lines of the bridge under the yellow, green and pink touches. The superimposed impasto makes the structure vibrate instead of closing it with an outline.
Water lilies and long colorful fallout - detail of The Japanese Bridge, Marmottan W1911 - Claude Monet
Water lilies and long colorful falloutOn the right, the pink flowers float in front of emerald green, purple and blue verticals. The museum photograph allows you to see the thicknesses and irregular edges of the painting.

The actual photograph at the Marmottan Monet Museum measures 4,222 × 2,022 px. Details of 1,800 × 1,300 px and 1,700 × 1,100 px come directly from this view, without artificial enlargement. All three files were converted and controlled as real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Marmottan 5079, Wildenstein 1911

The Marmottan Monet Museum dates this oil on canvas to 1918. It measures 100 × 200 cm, is not signed and bears the number 5079 in the museum inventory as well as the number 1911 in the Wildenstein catalog.

Collection02

A work preserved by Monet then bequeathed by his son

The painting remained in the Giverny family collection. She entered the Marmottan Monet Museum with Michel Monet's bequest to the Academy of Fine Arts in 1966.

Late period03

The familiar pattern becomes an experience of color

Twenty years after the first views of the Japanese bridge, Monet takes over the same garden with a wider touch. The footbridge, the plants and the water are no longer clearly separated: their continuity prepares the immersion of the large water lily decorations.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Marmottan Monet Museum, 5079 and W1911
  • The original panoramic format of 100 × 200 cm
  • The curve of the bridge kept visible without becoming too drawn
  • The yellows, pinks, greens and purples kept separate in dark matter

Work sheet

Title The Japanese Bridge, Marmottan W1911
Artist Claude Monet (1840 -1926)
Date 1918
Original technique Oil on canvas
Dimensions 100 × 200 cm
Orientation Panoramic horizontal
Conservation Marmottan Monet Museum, Paris, France
Inventory 5079 · Wildenstein 1911
Your reproduction Handmade oil painting on canvas
Consult the official notice - Marmottan Monet Museum

Presentation in your interior

A palette designed with the room

Sage green, turquoise, old pink, earthy yellow and purple give this panoramic reproduction an enveloping presence. It requires a wide, open wall, ideally above a sofa or a low sideboard, with side light that reveals the material.

The Japanese Bridge, Marmottan W1911, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Claude Monet French painting - Top 1000 selection French painting – French artists

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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