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Juan-les-Pins Beach W1187 - Claude Monet

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Juan-les-Pins Beach W1187 - Claude Monet

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Juan-les-Pins Beach W1187 - Claude Monet

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Juan-les-Pins Beach W1187 - Claude Monet

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Claude Monet · Juan-les-Pins · 1888 · W1187

Juan-les-Pins Beach W1187hand painted reproduction

Large pines stand in the foreground in front of the Gulf of Juan, whose clear water joins the bluish heights of Vallauris. Signed and dated Claude Monet 88 lower left, this oil on canvas of 73 × 92 cm belongs to a private collection and corresponds to Wildenstein 1187.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Juan-les-Pins Beach W1187 - Claude Monet - full view
Juan-les-Pins Beach W1187Claude Monet · 1888
1888Dating
73 × 92 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1187Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Dark pines transform the luminous sea into a Mediterranean gap

The trunks rise from the lower edge and divide into curved branches that occupy almost the entire right half. Their plant mass advances strongly, while the coast and hills recede into lighter blues.

The gulf mixes turquoise, pink, white and blue; the pines superimpose deep green, purple and red-brown. The very pale sky retains visible material, but remains light enough to highlight the contrast between the shade of the trees and the shine of the water.

The landscape is unframed from an open beach: Monet looks out over the Mediterranean through the pine trees, as if the cool shade in the foreground makes the bay even brighter.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A tree screen placed as close as possible

The trunks are cut by the edges of the canvas and their branches visually extend beyond the frame. This proximity gives the viewer a precise place under the pines.

02

The depth constructed by temperature

Dense greens and reds dominate in front; light blue grays and mauves appear in the distance. The difference in saturation is enough to separate the plans without architectural perspective.

03

A painting from the Antibes countryside

Christie's places the motif near the Château de la Pinède, where Monet stayed from January to May 1888. The Gulf of Juan and the heights of Vallauris are identifiable beyond the trees.

Reference image

Read this specific version

Only one exact image of W1187 is used. The real WebP measures 2000 × 1592 px and retains the native definition of the source, without artificial enlargement.

Composition01

Maintain the particular twist of the pines

Each trunk has its curve and bifurcations. Straightening or regularizing them would eliminate the movement that drives the entire right part.

Color02

Preserve reds and purples in the bark

The trunks aren't just brown. These warm accents respond to the roses of the sea and reflect the light passing through the branches.

Matter03

Keep the gulf very light but colorful

Blue, sea green and pink should remain visible in the bright area. Uniform white would cause the surface to lose flicker.

Documented benchmarks

Three pieces of information specific to this work

Christie's documents Juan-les-Pins Beach, oil on canvas from 1888, 73 × 92 cm, signed and dated lower left and listed Wildenstein 1187.

Provenance01

Théo van Gogh bought the painting from Monet in June 1888

Employee of Boussod, Valadon et Cie, he acquired ten landscapes of Antibes immediately after Monet's return. W1187 was sold on June 12 to Émile Boivin.

Exposure02

Presented among the Ten Marines of Antibes

The Boussod, Valadon et Cie gallery immediately exhibited the group in 1888, then the work appeared in the major Monet-Rodin exhibition organized by Georges Petit in 1889.

Version03

The exact reference is Wildenstein 1187

Split pine, Gulf Juan and the hills of Vallauris distinguish it from neighboring views W1188 and W1189, painted from a very close location under other lights.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1187 version
  • The monumental pines in the foreground
  • The very clear Gulf of Juan
  • The blue heights of Vallauris

Work sheet

Title Juan-les-Pins Beach W1187
Artist Claude Monet (1840 -1926)
Date 1888
Original technique Oil on canvas
Dimensions 73 × 92 cm
Orientation Horizontal
Conservation Private collection, Last public sale documented by Christie's
Inventory Wildenstein 1187
Your reproduction Handmade oil painting on canvas
Consult the official notice - Christie's · lot 12 · Wildenstein 1187

Presentation in your interior

A palette designed with the room

This solar view is suitable for a living room, dining room or office. A pale blue, deep green or warm white wall and a natural setting extend its Mediterranean contrast.

Juan-les-Pins Beach W1187, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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