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Les Bords de la Seine au Petit-Gennevilliers W333 par Claude Monet, 1874, collection privée

The Banks of the Seine at Petit-Gennevilliers W333 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Peint à la main Huile sur toile, réalisée sur commande.
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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · Rive du Petit-Gennevilliers, sailboats and houses · Private collection

The banks of the Seine at Petit-Gennevilliers W333hand painted reproduction

The Seine occupies almost the entire composition, animated by blue, green and cream reflections. On the bank of Petit-Gennevilliers, a strip of reeds precedes a few houses with red roofs, while light sailboats slide to the left. Monet unites sky, water and vegetation with a free touch which makes the light of 1874 more present than the topographical detail.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Banks of the Seine at Petit-Gennevilliers W333 - Claude Monet - full view
The banks of the Seine at Petit-Gennevilliers W333Claude Monet · 1874
1874Dating
54.2 × 73 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 333Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

An inhabited bank dissolves in the sky and the reflections of the Seine

The right bank forms a long green diagonal. The reeds on the edge are indicated by vertical touches, then denser vegetation rises towards the trees and houses. Two orange roofs and a few light gables are enough to make the hamlet exist without interrupting the continuity of the landscape.

On the left, several white sails spread out towards the horizon. The water regains its brightness and that of the sky in small horizontal marks blue gray, pale yellow and green. The dark reflections of the bank never constitute a closed mass: they are crossed by light up to the foreground.

Monet contrasts the plant density of Petit-Gennevilliers with the large mobile surface of the Seine, then brings the two together with the same colorful touches.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A divided but not symmetrical composition

The shoreline separates the water from the landscape halfway up, but its inclination and the sailboats placed on the left break any excessive stability. The sky and the Seine remain the two large breathing zones of the image.

02

Houses as warm accents

Red roofs and cream walls appear above the reeds without becoming the main subject. Their warm colors counterbalance blues and greens, then repeat very discreetly in the water.

03

A touch adapted to each surface

Clouds are laid in rounded marks, reeds in verticals, and water in horizontal segments. The coherence of the canvas comes less from a single touch than from the continuous passage of the same colors from one material to another.

Reference image

Read this specific version

The visual corresponds to the Banks of the Seine at Petit-Gennevilliers, oil on canvas from 1874 listed Wildenstein 333. The reference of 871 × 640 px is kept without oversampling in a real WebP file.

Composition01

The sails remain almost translucent

Their whites contain blue, green and yellow depending on the surrounding sky and water. Uniform opaque white would artificially move boats forward and reduce depth.

Color02

The shore has several densities

Light reeds, blue-green shrubs and darker trees overlap. These plans must remain distinct without drawing a clear boundary around each plant.

Matter03

The foreground remains bright

Deep reflections are cut by touches of cream and pale blue. Preserving these intervals prevents nearby water from becoming a dark band and maintains the overall shine of the scene.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1874, this oil on canvas measures 54.2 × 73 cm. It belongs to a private collection and bears the number Wildenstein 333.

Location01

Le Petit-Gennevilliers facing Argenteuil

Petit-Gennevilliers is located on the opposite bank to Argenteuil, where Monet has lived since 1871. This sector allows him to observe still vegetal banks, houses, sailboats and the modern activity of the basin.

Context02

The founding year of Impressionism

Monet painted this canvas in 1874, in the immediate wake of the impressionist group's first exhibition organized in the spring. The light surface, visible touches and contemporary pattern bear witness to this outdoor research.

Market03

A work from the Barbara Lambrecht collection

The painting belonged to the personal collection of Barbara Lambrecht. Presented by Christie's in London in February 2017 for the benefit of the Rubens Prize collection at the Museum für Gegenwartskunst in Siegen, it joined a private collection.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the great common breathing of sky and water.
  • Keep small-scale sailboats on the left.
  • Differentiate between reeds, shrubs and houses without hard contours.
  • Distribute the reflections in irregular horizontal touches.

Work sheet

Title The banks of the Seine at Petit-Gennevilliers W333
Artist Claude Monet (1840 -1926)
Date 1874
Original technique Oil on canvas
Dimensions 54.2 × 73 cm
Orientation Horizontal
Conservation Private collection, Unpublished location
Inventory Wildenstein 333
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Christie's - Les Bords de la Seine au Petit-Gennevilliers W333

Presentation in your interior

A palette designed with the room

This clear view of the Seine is suitable for a living room, bedroom or office. A blond, off-white or gray blue oak frame accompanies the light; a linen, sea green or pearl gray wall reveals the red roofs.

The Banks of the Seine at Petit-Gennevilliers W333, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Banks of the Seine at Petit-Gennevilliers W333 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

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2

We paint the canvas

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