The Wildenstein 1311 horizontal version
The 80 × 92 cm format and the mass of trees grouped on the right distinguish this painting from the vertical versions of the series and the four almost frontal trees of the Metropolitan Museum.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1891 · private collection · W1311
On the right, the pale trunks rise under a blue-green crown; on the left, the row recedes into a dark curve. The water takes on the reds, purples and greens of autumn. This oil on canvas measuring 80 × 92 cm corresponds to Wildenstein 1311.

Look at the work
Monet places the nearest trees against the right edge and lowers their trunks to the water. The line of the peaks then lowers to the left, creating a depth without path or architecture. The gaze follows this curve before returning through reflections.
The foliage is not uniformly green: Prussian blue, mauve, cold gray and a few yellow flashes mingle with the red browns of the bank. The illuminated trunks become almost cream, while their doubles in the Epte fragment into vertical touches.
W1311 constructs depth by two opposite movements: the trees move back to the left and their reflections bring the gaze back to the foreground.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The 80 × 92 cm format and the mass of trees grouped on the right distinguish this painting from the vertical versions of the series and the four almost frontal trees of the Metropolitan Museum.
In 1891, Monet worked near Limetz, upstream of Giverny, from a converted boat. The same poplars are studied under different lights and seasons, without becoming a repetitive motif.
The painting is documented as a private collection. It was nevertheless shown to the public during the exhibition The Impressionists in private at the Marmottan Monet Museum in 2014.
Reference image
Only one image is used: the exact reproduction of W1311 in real WebP of 1593 × 1386 px, preserved at its native resolution without artificial enlargement.
The dark crown should not be refocused: its weight on the right precisely balances the large clear sky that opens to the left.
The reds of the bank remain mixed with purple and blue. This restraint avoids an overly decorative orange autumn and retains the humid light of the Epte.
In water, the trunks dissolve into cream, mauve and red segments. Faithful reproduction keeps these breaks instead of drawing continuous lines.
Documented benchmarks
The catalog raisonné identifies this painting from 1891 under the number Wildenstein 1311: oil on canvas, 80 × 92 cm, today in private collection.
The French title, the horizontal format and the curve of the trees allow this version to be separated from the other states of the Poplars series.
Numbers W1291 to W1313 follow variations of the row of trees along the Epte, from views with monumental trunks to compositions more open to the marsh.
Although kept in a private collection, the work appeared in a Parisian exhibition dedicated to rarely accessible impressionist masterpieces.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Les Peupliers, autumn W1311 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1891 |
| Original technique | Oil on canvas |
| Dimensions | 80 × 92 cm |
| Orientation | Horizontal, almost square |
| Conservation | Private collection, presented at the Marmottan Monet museum in 2014 |
| Inventory | Wildenstein 1311 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Its bluish greens, muted reds and pearly sky are suitable for a quiet living room, library or bedroom. Medium wood, ecru linen and a few plum accents extend its palette without darkening the water.
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