A slightly upstream point of view
W1230 belongs to three views of the Petite Creuse taken before its confluence with the Grande Creuse. Monet's movement reveals the curve of the watercourse and the steep slope.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
Explore the subjects and styles associated with this reproduction.
Artwork description
Claude Monet · Fresselines · 1889 · W1230
The Petite Creuse sparkles between blue, pink and green rocky slopes, under a clear sky where the light almost erases the horizon. Painted in Fresselines in 1889, this oil on canvas measuring 65.4 × 81.3 cm is kept at the Museum of Fine Arts in Boston under number 23.541 and corresponds to Wildenstein 1230.

Look at the work
The left slope plunges towards the water in a large dark diagonal. The opposite bank rises towards the sky; an isolated tree and a few masses of foliage give the scale of this steep relief.
Cobalt blue, purple, pink, green and yellow are placed in superimposed touches. On the river, white and pale blue accents fragment the current into moving shards.
Monet does not describe each stone: he makes the inclination of the ground felt by flows of colors which descend to the river.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
W1230 belongs to three views of the Petite Creuse taken before its confluence with the Grande Creuse. Monet's movement reveals the curve of the watercourse and the steep slope.
The slopes are built by touches that cascade diagonally. The purple hollows and the green or pink areas simultaneously reflect relief, shade and vegetation.
The MFA highlights the complexity of overlays: broad brush strokes and small, tight accents coexist, giving the light an appearance that is both dense and sparkling.
Reference image
Only one exact image of W1230 is used. The real WebP measures 1,600 × 1,279 px and maintains the best reliable public definition, without artificial enlargement.
It carries the entire depth of the gorge. A reframing which would reduce it would weaken the movement towards the river.
They must not form a continuous band. Their irregularity restores reflections and current.
It serves as a scale marker in the middle of rock masses. Thickening it too much would transform its role in the composition.
Documented benchmarks
The Museum of Fine Arts in Boston documents The Valley of the Little Creuse, oil on canvas from 1889, 65.4 × 81.3 cm, inventory 23,541 and Wildenstein 1230.
W1230, W1231 and W1232 show the same sector before the encounter with the Grande Creuse, with different framing and lighting effects.
Delayed by bad weather and the growth of leaves, the artist returns to his paintings for a long time in order to maintain the coherence of each effect.
The work is numbered 23.541 and is part of the important collection of Monet landscapes preserved by the museum.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Petite Creuse Valley W1230 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1889 |
| Original technique | Oil on canvas |
| Dimensions | 65.4 × 81.3 cm |
| Orientation | Horizontal |
| Conservation | Museum of Fine Arts, Boston, Boston, United States |
| Inventory | 23,541 · Wildenstein 1230 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This vibrant landscape is suitable for a living room, dining room or office. A gray blue, sage green or mineral pink wall and a dark frame reinforce its reliefs.
Custom order
A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.
Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
Same artist
Continuez avec des œuvres connues du même artiste, sélectionnées pour comparer les sujets, les formats et les ambiances sans mélanger avec les styles génériques.