A very calculated central construction
The mill occupies the heart of the landscape, surrounded by sails of different heights. The composition remains balanced despite the profusion of masts.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · The Het Oosterkattegat mill in 1871 · Wildenstein 171
The Het Oosterkattegat mill dominates a small port in the Zaan. A yellow sail, several brown sails and black hulls overlap in front of its green structure, while a foreground of grass and stakes separates the viewer from the water. Monet gives this industrial landscape almost monumental stability without sacrificing wind, humidity and boat activity.

Look at the work
The mill tower is placed almost in the center, but its oblique wings shift the balance to the right. A red fireplace rises behind them and brings an unexpected vertical accent. Around the base, green and red buildings mingle with masts, ropes and hulls.
In the foreground, a strip of light grass is crossed by blue flowers, reeds and inclined stakes. This nearby bank creates a distance from the boats. Two small figures near the water give the scale of the mill and transform the panorama into an inhabited scene.
The mill appears fixed and heavy, but the wings, sails and grass circulate the air around it.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The mill occupies the heart of the landscape, surrounded by sails of different heights. The composition remains balanced despite the profusion of masts.
The light sail stands out between the browns and the greens. It captures the light of the sky and catches the eye even before the structure of the mill.
Nearby grass, water with boats, then houses and mill clearly follow one another. The vast sky prevents this superposition from becoming compact.
Reference image
The unique reference corresponds to the Wildenstein 171 version cataloged by Sotheby's. The public domain file measures 2,000 × 1,312 px; it is kept at its native definition, without enlargement, then encoded in WebP.
The green tower, the wide open wings and the red chimney make up a precise profile. Their relative position must remain stable in reproduction.
Brown, gray greens and pale blues dominate. The yellow sail and a few red roofs concentrate the warmest passages.
Hulls and stakes are described by dark accents. The sky and foreground use broader gestures, which maintain the atmosphere.
Documented benchmarks
This oil on canvas measuring 50 × 75 cm is identified under the number Wildenstein 171. Signed lower left, it is now in a private collection.
Research carried out for the Monet in Holland exhibition identifies the mill, located on the outskirts of the Zuiddijk. The bell tower of the Oosterzijderkerk appears in the distance.
Zaandam had hundreds of mills used for sawing, pumping or grinding. Het Oosterkattegat was precisely used to reduce coloring materials into pigments.
The merchant acquired the painting from Monet in March 1872. François Depeaux bought it in 1894; it then passed through several large galleries and international collections.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | A mill in Zaandam W171 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1871 |
| Original technique | Oil on canvas |
| Dimensions | 50 × 75 cm |
| Orientation | Horizontal |
| Conservation | Private collection, Undocumented |
| Inventory | Wildenstein 171 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Its greens, ochres and central silhouette are suitable for a living room, dining room or office. A walnut, smoked oak or matte bronze frame accompanies the industrial and river character of the pattern.
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