Femme assise dans le jardin W407 par Claude Monet, 1876, musée de l’Ermitage
Woman sitting in the garden W407 - Claude Monet
100 %

Woman sitting in the garden W407 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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The format automatically adapts to the original artwork.

Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Artwork themes

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L’œuvre et sa reproduction

Femme assise dans le jardin
peint pour votre
intérieur

Découvrez l’histoire et l’atmosphère de cette œuvre, puis choisissez une reproduction à l’huile réalisée à la main selon vos dimensions.

01

À propos de l’œuvre

Femme assise dans le jardin, par Claude Monet

Claude Monet · A figure in full sun in front of the Argenteuil house · Hermitage Museum

Woman sitting in garden W407hand painted reproduction

A woman dressed in light sits on the lawn, slightly shifted to the right. Behind her, a band of red flowers crosses the garden and the facade of the house bursts with yellows and oranges. Monet contrasts the green shadow of the foreground with a warm light which seems to dissolve walls, curtains and foliage.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Woman sitting in the garden W407 - Claude Monet - full view
Woman sitting in garden W407Claude Monet · 1876
1876Dating
50 × 65.5 cmDimensions of the original
Oil on canvasOriginal technique
ʻoult-10615 · Wildenstein 407Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A light color connects the shaded lawn to the solar facade

The figure is seen in profile, wearing a brown hat and sitting directly on the grass. Her beige dress spreads out in a triangle in the foreground. A small dark object near her hands animates the calm line of the body.

The house is not described by precise contours. Touches of yellow, cream and pink suggest walls, shutters and curtains, partially hidden by the trees. The red row of the massif separates this light from the deep green of the lawn.

The woman does not stand out through drawing, but through the gradual transition from cold greens to beiges then to the bright yellows of the house.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Three large bands of color

The green lawn, the red massif and the golden facade stack horizontally. The figure crosses the first two and connects the entire composition.

02

A light that dissolves architecture

Doors, windows and curtains remain perceptible, but their limits vibrate in the yellows. The house becomes as much a sun effect as a building.

03

A silhouette constructed in neighboring tones

The dress shares the gray greens of the grass and the creams of the facade. This continuity avoids the effect of a cut-out character.

Reference image

Read this specific version

The unique reference corresponds to the inventory ʻonds-10615 of the Hermitage Museum, Wildenstein version 407. The file of 3,168 × 2,432 px was reduced without enlargement to 3,000 × 2,303 px then converted to WebP.

Composition01

The dress forms a low triangle

Its clear mass remains horizontal and close to the ground. It should not be straightened like a figure resting on a chair.

Color02

The red massif crosses the entire width

Its flowers vary from dark red to orange-pink and form a visual threshold in front of the house.

Matter03

The yellows on the facade are not uniform

Creams, ochres, pinks and small brown shadows give depth to the warm light.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1876, this oil on canvas measuring 50 × 65.5 cm is kept at the Hermitage Museum under the inventory ʻonds-10615 and classified Wildenstein 407.

Argenteuil01

The house occupied from 1874

The scene represents the garden of Monet's second house in Argenteuil. The painter frequently used the facade, flowerbeds and members of his family as motifs between 1875 and 1876.

Collection02

A work passed through the Otto Krebs collection

Before entering the Hermitage Museum, the painting belonged to the German industrialist and collector Otto Krebs, who had assembled an important collection of modern French paintings.

Identification03

A precisely listed version

Inventory ʻilt-10615 and Wildenstein number 407 distinguish this canvas from other seated figures or resting scenes painted by Monet in the same garden.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Keep your face seated low on the lawn.
  • Pitch the cold greens to the warm yellows of the facade.
  • Maintain the red line of the massif.
  • Suggest the house with touches rather than sharp outlines.

Work sheet

Title Woman sitting in garden W407
Artist Claude Monet (1840 -1926)
Date 1876
Original technique Oil on canvas
Dimensions 50 × 65.5 cm
Orientation Horizontal
Conservation Hermitage Museum, St. Petersburg, Russia
Inventory ʻoult-10615 · Wildenstein 407
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Hermitage Museum - ʻoult-10615

Presentation in your interior

A palette designed with the room

Its warm greens and yellows are suitable for a living room, bedroom or veranda. A light oak, matte gold or olive green frame accompanies the solar atmosphere of the garden.

Woman sitting in garden W407, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Idéal pourSalonEntréeBureauHôtel
01

Peinte à la main

Une peinture à l’huile sur toile réalisée entièrement à la main, sans impression numérique.

02

Validée en photo

Vous recevez des photos détaillées et pouvez demander des ajustements.

03

Réalisée à votre format

Les dimensions sont calculées pour respecter les proportions de l’original.

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From order to delivery

How does your order work?

You remain in control until your final validation reproduction.

1

Choose your format

Select the dimensions appropriate to the proportions of the work.

2

Your painting is hand-painted

Production at painting at oil on canvas by a specialized artist.

3

Validate your reproduction in photo

Receive detailed photos and request up to 7 sets of edits before validation.

4

Protected and tracked delivery

Your canvas is rolled in reinforced packaging, with tracking until delivery.

Frequently Asked Questions

Before ordering your reproduction

Everything you need to know about creating, retouching, validating and delivering your painting.

Is it actually hand-painted ?

Yes. Every reproduction is carried out at the painting at theoil on canvas by a specialized artist. This is neither a print nor a digital transfer.

Can I order a custom format?

Yes. Choose one of the formats offered or contact us for a particular dimension adapted to your wall and the proportions of the work.

When will I receive validation photos?

When the painting and the drying is complete, we send you detailed photos before any shipment so that you can validate the result.

How many touch-ups can I request?

You can request up to 7 sets of edits from the photos received, before giving your final validation.

How is the canvas packaged?

The canvas is shipped rolled, frameless, in reinforced packaging designed to protect it during international transport.

How to track delivery?

Upon shipment, you will receive a tracking number to track the delivery of your reproduction until its delivery.

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