Femme à l’ombrelle tournée vers la droite W1076 par Claude Monet, musée d’Orsay
Woman with Umbrella Facing Right W1076 - Claude Monet
100 %

Woman with Umbrella Facing Right W1076 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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The format automatically adapts to the original artwork.

Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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L’œuvre et sa reproduction

Femme à l'ombrelle tournée vers la droite
peint pour votre
intérieur

Découvrez l’histoire et l’atmosphère de cette œuvre, puis choisissez une reproduction à l’huile réalisée à la main selon vos dimensions.

01

À propos de l’œuvre

Femme à l'ombrelle tournée vers la droite, par Claude Monet

Claude Monet · Giverny · 1886 · W1076

Woman with Umbrella Facing Right W1076hand painted reproduction

Suzanne Hoschedé stands on a flowery slope, facing right and seen from a very low point. Her green parasol cuts a large oblique shape in the sky, while her light scarf floats to the left. Signed and dated Claude Monet 86, this oil on canvas measuring 130.5 × 89.3 cm is kept at the Musée d'Orsay under the number RF 2620 and corresponds to Wildenstein 1076.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Woman with parasol facing right W1076 - Claude Monet - full view
Woman with Umbrella Facing Right W1076Claude Monet · 1886
1886Dating
130.5 × 89.3 cmDimensions of the original
Oil on canvasOriginal technique
RF 2620 · Wildenstein 1076Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The low angle places the young woman, the umbrella and the wind in the same space of sky

The ground rises to the bottom of the dress and leaves no distant horizon. The silhouette rises almost to the full height; the umbrella occupies the upper right quarter, while the scarf and grass drive the movement in the opposite direction.

The cream dress receives reflected blues, pinks, yellows and greens. The face remains in the shadow of the umbrella, but the bodice and skirt capture a diffused light that connects them to the blue, white and mauve sky.

Monet does not take his face off in front of a setting: the wind, the light and the colors of the meadow pass through the clothing and make Suzanne part of the outdoors.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A figure seen from below

Low angle almost removes the traditional depth. The body appears to extend into the sky and the viewer physically feels the slope on which Monet placed his model.

02

The umbrella as a great chromatic accent

Its deep green contrasts with the pale blues of the sky. Its oblique axis joins the arm and stabilizes the silhouette despite the movement of the scarf.

03

A deliberately not very detailed face

The hat and parasol sift the features. Monet favors the general lighting effect and posture rather than a meticulous psychological portrait.

Reference image

Read this specific version

The unique high definition photograph of 6,959 × 10,277 px was reduced to 2,031 × 3,000 px and then encoded as a real WebP, without artificial enlargement.

Composition01

Keep right orientation

The position of the bust, the veiled profile and the inclination of the umbrella are the essential benchmarks which distinguish W1076 from its counterpart W1077.

Color02

Preserve reflected colors in the dress

White should remain composed of blue, pink and cream tones; uniform white would remove the outdoor effect Monet sought.

Matter03

Keep the scarf light and discontinuous

Its pale touches fade into the sky while indicating the direction of the wind. Too sharp an outline would make it heavy.

Documented benchmarks

Three pieces of information specific to this work

The Musée d'Orsay documents the Outdoor Figure Essay facing right, oil on canvas from 1886, 130.5 × 89.3 cm, RF inventory 2620 and Wildenstein catalog 1076.

Model01

Suzanne Hoschedé in the Giverny meadow

Daughter of Alice Hoschedé, Suzanne posed for the two large outdoor figure tests that Monet carried out during the summer of 1886.

During02

A composition facing left

Monet uses the same format and the same point of view in W1077. The opposite directions of the figure, the umbrella and the wind make it possible to distinguish the two paintings.

Collection03

Gift from Michel Monet in 1927

The work entered the national collections thanks to the artist's son, passed through the Louvre and the Jeu de Paume, then was assigned to the Musée d'Orsay in 1986.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1076 version
  • Suzanne turned to the right
  • The green umbrella on the blue sky
  • The scarf carried to the left

Work sheet

Title Woman with Umbrella Facing Right W1076
Artist Claude Monet (1840 -1926)
Date 1886
Original technique Oil on canvas
Dimensions 130.5 × 89.3 cm
Orientation Vertical
Conservation Musée d'Orsay, Paris, France
Inventory RF 2620 · Wildenstein 1076
Your reproduction Handmade oil painting on canvas
Consult the official notice - Musée d'Orsay · RF 2620

Presentation in your interior

A palette designed with the room

This large vertical composition is suitable for a bright entrance, bedroom or living room. A mist blue, celadon green or off-white wall and a matte gold frame accompany its aerial light.

Woman with Umbrella Facing Right W1076, Painted for Your Interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Idéal pourSalonEntréeBureauHôtel
01

Peinte à la main

Une peinture à l’huile sur toile réalisée entièrement à la main, sans impression numérique.

02

Validée en photo

Vous recevez des photos détaillées et pouvez demander des ajustements.

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Réalisée à votre format

Les dimensions sont calculées pour respecter les proportions de l’original.

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From order to delivery

How does your order work?

You remain in control until your final validation reproduction.

1

Choose your format

Select the dimensions appropriate to the proportions of the work.

2

Your painting is hand-painted

Production at painting at oil on canvas by a specialized artist.

3

Validate your reproduction in photo

Receive detailed photos and request up to 7 sets of edits before validation.

4

Protected and tracked delivery

Your canvas is rolled in reinforced packaging, with tracking until delivery.

Frequently Asked Questions

Before ordering your reproduction

Everything you need to know about creating, retouching, validating and delivering your painting.

Is it actually hand-painted ?

Yes. Every reproduction is carried out at the painting at theoil on canvas by a specialized artist. This is neither a print nor a digital transfer.

Can I order a custom format?

Yes. Choose one of the formats offered or contact us for a particular dimension adapted to your wall and the proportions of the work.

When will I receive validation photos?

When the painting and the drying is complete, we send you detailed photos before any shipment so that you can validate the result.

How many touch-ups can I request?

You can request up to 7 sets of edits from the photos received, before giving your final validation.

How is the canvas packaged?

The canvas is shipped rolled, frameless, in reinforced packaging designed to protect it during international transport.

How to track delivery?

Upon shipment, you will receive a tracking number to track the delivery of your reproduction until its delivery.

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