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Forêt de Fontainebleau W59 par Claude Monet, vers 1863-1865, Kunst Museum Winterthur
  • Forêt de Fontainebleau W59 par Claude Monet, vers 1863-1865, Kunst Museum Winterthur
  • Forêt de Fontainebleau W59 par Claude Monet, vers 1863-1865, Kunst Museum Winterthur
Fontainebleau Forest W59 - Claude Monet

Fontainebleau Forest W59 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet Forest landscapes and undergrowth Forest landscapes and undergrowth French painting – French artists Impressionist Impressionist Landscapes Japonism Kunst Museum Winterthur

Artwork description

Reproduction details

Claude Monet · Gnarled trunks and light under the forest cover · Kunst Museum Winterthur

Fontainebleau Forest W59hand painted reproduction

Large gnarled trunks occupy both sides of a dark undergrowth and narrow the view towards a bright gap. The ground, covered with leaves and stones, receives beige, green and ocher shards which indicate light filtered by the branches. In this youthful work, Monet observes the structure of the forest while already making changing light the driving force of the composition.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Fontainebleau Forest W59 - Claude Monet - full view
Fontainebleau Forest W59Claude Monet · around 1863 -1865
around 1863 -1865Dating
50 × 65 cmDimensions of the original
Oil on canvasOriginal technique
KV 632 · Wildenstein 59Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A clear opening at the bottom gives air to the density of the trunks

On the left, several trees branch from their base and form a very constructed brown mass. On the right, a straighter trunk partially closes the passage. Between them, an irregular slope or path advances towards a light area, where a few thinner trees stand out in a bluish atmosphere.

The upper foliage is treated like a discontinuous ceiling. Deep greens sit alongside yellow and blue-gray spots, while the ground mixes ocher, brown, green and cream. The touches change direction around the roots, stones and branches, giving a strong materiality without detailing each leaf.

Light does not uniformly illuminate the forest: it infiltrates in fragments and transforms the roots, soil and bottom gap into successive stages.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Trunks that form a natural setting

Side trees are not mere descriptive elements. Their curves tighten the center and lead towards the opening, like an irregular architecture that organizes depth.

02

A dark range crossed by colors

Shadows contain green, purple, blue and red-brown. These variations prevent the undergrowth from closing and allow light touches of the ground to flow to the foreground.

03

A depth of successive contrasts

The foreground has strong textures, the middle area is darker and the distant gap becomes light and bluish. This alternation replaces a linear perspective that is too visible and gives thickness to the air.

Reference image

Read this specific version

The visual corresponds to the Fontainebleau Forest, inventory KV 632 of the Kunst Museum Winterthur and Wildenstein number 59. The digitization has been converted into a real WebP of 3,000 × 2,233 px, without exceeding its original definition.

Composition01

The trunks are gnarled rather than cylindrical

Their contours break around the roots, forks and cut branches. Brown, green and gray-blue transitions must shape these accidents without producing a uniform ring.

Color02

The hole at the bottom remains small but decisive

It only occupies a central portion of the canvas. Its light blue and thin trees nevertheless create all the breathing of the image; enlarging it would weaken the feeling of shelter.

Matter03

The floor has directional touches

The marks follow slopes, roots and stones instead of forming a regular seedling. Their orientation helps move the gaze towards the center of the wood.

Documented benchmarks

Three pieces of information specific to this work

Dated around 1863 -1865, this oil on canvas measures 50 × 65 cm. It is kept at the Kunst Museum Winterthur under the inventory KV 632 and listed as Wildenstein 59.

Training01

A motive linked to Barbizon's legacy

The Fontainebleau forest has attracted landscapers who work directly in front of nature for several decades. Monet is part of this tradition while giving more autonomy to the touches and momentary effects of light.

Period02

Research prior to the great impressionist scenes

This painting precedes the views of Argenteuil and the first impressionist exhibition of 1874. The solid construction of the trees still recalls the realistic landscape, but the colors of the shadows announce Monet's later research.

Collection03

Given at the Winterthur Museum in 1934

The notice from the Kunst Museum Winterthur indicates that the work bears the inventory KV 632 and that it was offered in 1934 by the Galerieverein. It has therefore belonged to the Winterthur public collection for a long time.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Keep the frame formed by the lateral trunks.
  • Keep the central gap small and bright.
  • Color all shadows with greens, blues and browns.
  • Follow the roots and slope with the touches of the ground.

Work sheet

Title Fontainebleau Forest W59
Artist Claude Monet (1840 -1926)
Date around 1863 -1865
Original technique Oil on canvas
Dimensions 50 × 65 cm
Orientation Horizontal
Conservation Kunst Museum Winterthur, Winterthur, Switzerland
Inventory KV 632 · Wildenstein 59
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Kunst Museum Winterthur - Wald von Fontainebleau, KV 632

Presentation in your interior

A palette designed with the room

This dense undergrowth is suitable for a library, office or entrance. A walnut, dark bronze or deep green frame accompanies the trunks; a taupe, linen or bluish gray wall reveals the luminous gap.

Fontainebleau Forest W59, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Fontainebleau Forest W59 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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