A clear opening reduced but decisive
The pale yellow in the upper center should remain small. Widening it would transform the dense tunnel into an open landscape and weaken the composition.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1920 -1922 · Marmottan Monet Museum · 5088
In this almost square version, the orange path sinks under a tunnel of red, brown, blue and green rose bushes. A small yellow opening in the upper center is enough to give depth to a dense surface, where the garden is rebuilt in layers and visible repeats.

Look at the work
The axis of the path is central but never symmetrical. Blue and green curves suggest the metal supports, while red masses cover them. The clear, very small opening catches the eye long before you can see the details of the garden.
The bottom mixes orange, red-brown, turquoise and gray-green in more horizontal touches. In the upper part, the gestures become circular and vertical. The visible canvas edges and the covers contribute to the late state of the work and must not be hidden.
The depth is a few meters from the path and a spot of light; all around, Monet lets color take precedence over the architecture of the garden.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

The pale yellow in the upper center should remain small. Widening it would transform the dense tunnel into an open landscape and weaken the composition.
The fragments of hoops pass through the rose bushes without going around them. Their cold blue balances the reds and maintains the structure under the material.
The oranges and browns at the bottom are interrupted by greens and blues. Reproduction should keep these overlays rather than producing a smooth band.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The main view measures 760 × 717 px. Details of 480 × 330 px and 500 × 250 px come directly from inventory 5088. No magnification was applied; all three files are true verified WebPs.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
This almost square oil on canvas measures 90 × 92 cm. It is dated 1920 -1922 and corresponds to Wildenstein number 1937.
This sheet concerns the 5088, recognizable by its almost square format, its small central yellow gap and its very narrow orange-brown path.
Like several late visions of the garden that remained confidential, the painting joined the Marmottan Monet Museum with the legacy of Michel Monet in 1966.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Rose Alley, Giverny |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1920 - 1922 |
| Original technique | Oil on canvas |
| Dimensions | 90 × 92 cm |
| Orientation | Almost square |
| Conservation | Marmottan Monet Museum, Paris, France |
| Inventory | 5088 · Wildenstein 1937 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
The dark, warm palette is suitable for an intimate space: entrance, library or bedroom. A linen, deep brown or gray green wall brings out the reds and yellow opening without hardening the canvas.
Custom order
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Select the desired size before ordering.
Your reproduction is hand-painted entirely in oil.
We send you a photo to validate the result before shipping.
You receive your canvas rolled, protected, and shipped with tracking.
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