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Lavacourt, Winter W514 - Claude Monet

Lavacourt, Winter W514 - Claude Monet

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Lavacourt, Winter W514 - Claude Monet

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Lavacourt, Winter W514 - Claude Monet
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Lavacourt, Winter W514 - Claude Monet

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Claude Monet · Lavacourt · winter 1879 · W514

Lavacourt, Winter W514hand painted reproduction

A snowy path follows the Seine at Lavacourt. The tight houses and bare trunks line the left; three small figures advance towards the bend of the bank, while the river and the opposite hillside disappear in a blue-gray mist. Monet does not paint uniformly white snow: pinks, mauves, blues, greens and browns reveal the earth, walls and cold light. This 50.6 × 66 cm oil on canvas, painted in early 1879, corresponds to Wildenstein 514.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Lavacourt, winter W514 - Claude Monet - full view
Lavacourt, Winter W514Claude Monet · 1879
1879Dating
50.6 × 66 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 514Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The towpath leads the eye into a winter atmosphere where snow, mist and the Seine share the same pale colors

The edges of the houses are strongly cut by the frame and create a dark vertical. From this mass, the path opens diagonally towards walkers, then narrows in the distance. The Seine accompanies this movement to the right, almost without a clear limit with the misty hillside.

The fresh snow reveals numerous passages of ground. The white touches intertwine with salmon roses, muted greens and blues. The trees receive transparent mauves and browns; their branches blend into a sky worked by broad, clear gestures, as if humidity were absorbing the contours.

Christie's notice describes a painted view downstream from Lavacourt during the very cold winter of early 1879. It highlights the silver, pink and blue range by which Monet transforms harsh conditions into a surprisingly bright atmosphere.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The cut house acts as a foil

The dark wall on the far left places the viewer at the very edge of the village. It concentrates the densest colors and makes the central snow more vibrant without the need for pure white.

02

Figures punctuate the journey rather than recounting a scene

A nearby character and two silhouettes further away punctuate the diagonal of the path. Their small scale measures the distance and extent of the winter landscape.

03

The mist gradually erases the opposite bank

The blue hillside becomes almost transparent to the right. Monet reduces contrast and accuracy instead of just lightening the color, creating continuous atmospheric depth.

Reference image

Read this specific version

The single image represents exactly Wildenstein 514. The best reliable file available measures 2,200 × 1,673 px; it remains at its native definition, without artificial enlargement, then is encoded in real WebP.

Composition01

Preserve the diagonal of the path

It must start largely from the bottom and narrow near distant figures. This trajectory connects houses, walkers and the Seine in a single composition.

Color02

Keep colors under the snow

Roses, greens, blues and browns remain visible between the light impastos. A uniform white cover would remove the material richness of the foreground.

Matter03

Differentiate the mist from the sky

The hillside and air share similar values, but a few horizontal blues hold the bank. Too much contrast would destroy the effect of humid cold; too little would make the structure of the river disappear.

Documented benchmarks

Three pieces of information specific to this work

The sales instructions and the catalog raisonné document Lavacourt, l'hiver, oil on canvas from 1879, 50.6 × 66 cm and reference Wildenstein 514.

Season01

Monet's first winter in Vétheuil and Lavacourt

Established in the region since September 1878, Monet faced lasting cold at the beginning of 1879. He painted snow, frost and fog along both banks of the Seine.

Viewpoint02

The Lavacourt towpath looked downstream

The houses occupy the left bank of the painting and the river opens to the right. This orientation distinguishes W514 from other snow landscapes centered on Vétheuil or on the debacles of the Seine.

Course03

A provenance dating directly back to January 1879

The painting belonged very early to the painter Paul Vayson de Pradenne, then notably passed through Boussod, Valadon & Cie and Cyrus J. Lawrence. She has appeared in several exhibitions devoted to the winter landscapes of impressionism.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 514 version and its 50.6 × 66 cm format
  • The dark wall cut by the left edge
  • The three figures spaced apart on the towpath
  • The pinks, blues and greens visible in the snow

Work sheet

Title Lavacourt, Winter W514
Artist Claude Monet (1840 -1926)
Date 1879
Original technique Oil on canvas
Dimensions 50.6 × 66 cm
Orientation Horizontal
Conservation Private collection, Current location not published
Inventory Wildenstein 514
Your reproduction Handmade oil painting on canvas
Consult the instructions, provenance and exhibitions - Christie's · Wildenstein 514

Presentation in your interior

A palette designed with the room

This winter landscape is suitable for a quiet bedroom, office or living room. A pearl gray, powder pink or mist blue wall and a weathered wooden frame extend its cold light while letting the warm accents of the path live.

Lavacourt, Winter W514, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Claude Monet French painting – French artists Impressionist

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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