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Bordighera W854 - Claude Monet

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Bordighera W854 - Claude Monet

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Bordighera W854 - Claude Monet

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Bordighera W854 - Claude Monet

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Claude Monet · Ligurian Riviera · 1884 · W854

Bordighera W854hand painted reproduction

Winding pines almost cover the view of Bordighera: the village and its bell tower appear between the trunks, in front of a thin strip of Mediterranean. This oil on canvas measuring 65 × 80.8 cm, signed Claude Monet 84, is the 1922.426 version of the Art Institute of Chicago, Wildenstein 854.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Bordighera W854 - Claude Monet - full view
Bordighera W854Claude Monet · 1884
1884Dating
65 × 80.8 cmDimensions of the original
Oil on canvasOriginal technique
1922.426 · Wildenstein 854Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The village is discovered through a curtain of Mediterranean pines

The curved trunks cross the canvas like a network. The city occupies only a low, light strip, while the much closer foliage controls the rhythm of the entire composition.

The pink and cream facades heat the center; the blue sea and sky cool the background. The greens in the foreground contain yellows and purples which prevent the vegetation from becoming compact.

W854 replaces the expected panorama with a filtered vision: the nearby vegetation determines what the viewer can see of the city and the sea.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Pins designed from the first installation

The museum's technical study shows that Monet established the network of trunks very early on, then developed the city, the sea and the foliage around him.

02

A bell tower moved

Examinations revealed a first position of the bell tower to the right of the central trunk. Monet moves it to the left so that it remains visible between the trees.

03

The Potter Palmer version

Inventory 1922.426, the format of 65 × 80.8 cm and Wildenstein 854 identify the canvas entered Chicago with the Potter Palmer Collection.

Reference image

Read this specific version

Only one reference image is used. The exact scan of W854 is provided in true WebP of 3000 × 2414 px, without artificial enlargement.

Composition01

A network of asymmetrical curves

The trunks never form a regular grid. Their inflections and intervals produce the balance between obstruction and opening.

Color02

Colorful whites on the trunks

Monet adds light, thick accents to suggest the sun. They must remain punctual so as not to cut out trees like silhouettes.

Matter03

An alternation of thin and thick layers

The preparation appears in places under the keys, while the trunks and certain foliage receive a more loaded material.

Documented benchmarks

Three pieces of information specific to this work

The Art Institute of Chicago documents Bordighera, oil on canvas from 1884, 65 × 80.8 cm, inventory 1922.426 and Wildenstein 854.

Stay01

Solitary work on the Riviera

Monet returned alone to Bordighera in January 1884 and extended his stay for almost three months to respond to new vegetation and light.

Topography02

The città alta behind the pines

The ancient village is seen from a height. The bell tower and facades serve as landmarks in the middle of a framing dominated by trees.

Signature03

Claude Monet 84

The signature and date appear at the bottom left in a red-brown tint integrated into the foliage.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Version 1922.426, Wildenstein 854
  • The winding trunks that cross the frame
  • The bell tower placed between the branches
  • The thin strip of the Mediterranean

Work sheet

Title Bordighera W854
Artist Claude Monet (1840 -1926)
Date 1884
Original technique Oil on canvas
Dimensions 65 × 80.8 cm
Orientation Horizontal
Conservation Art Institute of Chicago, Chicago, United States
Inventory 1922.426 · Wildenstein 854
Your reproduction Handmade oil painting on canvas
Consult the official notice - Art Institute of Chicago · 1922.426

Presentation in your interior

A palette designed with the room

Bordighera brings dense plant depth to a living room or library. A stone wall, walnut and deep blue or ocher accents highlight the city and the sea.

Bordighera W854, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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