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Nature morte aux faisans et aux pluviers W550 par Claude Monet, Minneapolis Institute of Art

Still life with pheasants and plovers W550 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
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Artwork description

Reproduction details

Claude Monet · A still life of 1879 · Minneapolis Institute of Art

Still life with pheasants and plovers W550hand painted reproduction

Two pheasants and several plovers are arranged on a white tablecloth, in front of an almost bare blue gray background. Brown, black, red and silver plumages concentrate all the chromatic richness. Monet transforms this game into a study of matter, weight and retained light.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Still life with pheasants and plovers W550 - Claude Monet - full view
Still life with pheasants and plovers W550Claude Monet · 1879
1879Dating
67.95 × 90.17 cmDimensions of the original
Oil on canvasOriginal technique
84,140 · Wildenstein 550Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The plumages give shape to a composition without decoration

The two pheasants occupy the center and the foreground. Their massive bodies cross slightly, their long tails run towards the edges and their dark heads rest on the tablecloth. Around them, gray and white plovers create shorter and lighter volumes.

The tablecloth descends towards the viewer in large pale blue and ivory folds. The gray background, covered with discreet variations, removes any anecdote. This sobriety forces the eye to follow the differences in texture: fine feathers, glossy wings, beaks, legs and crumpled fabric.

Here, light does not describe a landscape: it reveals the weight of birds, the direction of feathers and the folds of the tablecloth.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diagonal formed by the tails

The long feathers lead the gaze from the center to the right and balance the small birds grouped on the left.

02

Browns built by superposition

Ochres, reds, blacks, greens and golden highlights mingle in the pheasants. Color prevents their volumes from becoming two dark masses.

03

White as an active color

The tablecloth and plovers use different whites, tinged with blue, gray or pink. These shades organize the plans and contacts.

Reference image

Read this specific version

The high definition image corresponds to canvas 84.140, W550, from the Minneapolis Institute of Art. It allows you to observe the direction of the plumages, the design of the wings and the very fine transitions between the tablecloth and the light birds.

Composition01

A very low central mass

The birds are grouped near the table plane, leaving a role of breathing and contrast at the empty bottom.

Color02

A deliberately tight palette

Blue gray, ivory, brown and red dominate. Some green or golden highlights appear only in the feathers.

Matter03

Keys that follow the materials

The gesture lengthens on the tails, tightens on the wings and becomes wider in the folds of the fabric and the bottom.

Documented benchmarks

Three pieces of information specific to this work

The Minneapolis Institute of Art preserves this still life under inventory 84,140; it corresponds to number 550 of the Wildenstein catalog raisonné.

Associated title01

Pheasants and valves

The painting is also described under this French title; the museum's identification distinguishes the pheasants from the plovers placed around them.

Format02

A large-scale still life

With almost 90 cm in width, the composition gives the birds an almost life-size presence and makes the white of the tablecloth a real space.

Collection03

Donation of Anne Pierce Rogers

The work enters the Minneapolis Institute of Art in memory of John DeCoster Rogers and bears inventory 84,140.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect each bird's specific anatomy, orientation and weight.
  • Differentiate the whites of the tablecloth and those of the plovers by their temperature.
  • Follow the direction of the feathers rather than applying an even texture.
  • Keep the gray-blue background alive but sober enough to support the central group.

Work sheet

Title Still life with pheasants and plovers W550
Artist Claude Monet (1840 -1926)
Date 1879
Original technique Oil on canvas
Dimensions 67.95 × 90.17 cm
Orientation Horizontal
Conservation Minneapolis Institute of Art, Minneapolis, United States
Inventory 84,140 · Wildenstein 550
Your reproduction Handmade oil painting on canvas
Consult the official notice - Minneapolis Institute of Art /Google Arts & Culture

Presentation in your interior

A palette designed with the room

This still life offers a more serious presence than Monet's landscapes. Its blue grays, whites and red browns are suitable for a dining room, a library or an interior with natural materials; a walnut, soft black or bronze frame gives it a beautiful depth.

Still life with pheasants and plovers W550, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Still life with pheasants and plovers W550 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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We paint the canvas

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