The Water Lilies W1664 - Claude Monet

The Water Lilies W1664 - Claude Monet

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The Water Lilies W1664 - Claude Monet

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The Water Lilies W1664 - Claude Monet
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The Water Lilies W1664 - Claude Monet

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Comprendre les formats

Trois rendus pour une même œuvre

Claude Monet · 1904 · donation of 1910 to Le Havre · W1664

Water Lilies W1664hand painted reproduction

A few green leaves and pale flowers float on water saturated with blue, mauve and pink. No horizon fixes the gaze: the surface of the pool becomes the entire painting. Monet offered this painting from 1904 to the city of Le Havre in 1910; it is identified Wildenstein 1664.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Les Nymphéas W1664 - Claude Monet - full view
Water Lilies W1664Claude Monet · 1904
1904Dating
89 × 93 cmDimensions of the original
Oil on canvasOriginal technique
Gift of the artist in 1910 · Wildenstein 1664Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The basin without a bank, between surface and depth

The almost square framing removes the bridge, the bank and the direct sky. The water lilies, divided into small groups, alone give scale. Some are clearly placed on the water; others blend into reflections until they become simple colored signs.

Vertical blue-purple streaks suggest the reflected trees, while pink and turquoise passages open the surface. Monet superimposes these directions without enclosing them in a classic perspective: the gaze can read water, reflection and paint at the same time.

W1664 no longer represents a landscape around the basin: the landscape now exists inside the water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The version given by Monet in Le Havre

In 1910, the artist offered this painting to his hometown. This direct gift, now kept at MuMa, combines one of his most innovative motifs with Monet's Le Havre history.

02

A work from 1904

The canvas belongs to the phase where Monet focuses his gaze on the sheet of water. Its format of 89 × 93 cm and its Wildenstein number 1664 allow it to be differentiated from the many nearby Water Lilies.

03

Towards the Water Landscapes of 1909

The museum places the work in the work which leads to the forty-eight Water Landscapes presented by Durand-Ruel in 1909. The gradual disappearance of topographical landmarks announces a more decorative and more abstract painting.

Reference image

Read this specific version

Only one image is used: the complete view of W1664, preserved as a real WebP of 1,200 × 1,150 px, without artificial enlargement.

Composition01

Irregular plant islands

The leaves form neither grid nor regular crown. Their gaps and changes in scale create the movement of the gaze, particularly between the lower zone and the center.

Color02

Deep blue, mauve, pink and green

Water color results from multiple layers. Cool tones dominate, but pink passages warm up the reflections and prevent the surface from becoming uniform.

Matter03

Floating keys and vertical lines

The flowers and leaves have short, sometimes thick accents. On the contrary, reflections require longer and more transparent gestures. Their superposition creates the spatial ambiguity specific to the work.

Documented benchmarks

Three pieces of information specific to this work

The MuMa of Le Havre dates this painting from 1904, indicates a format of 89 × 93 cm and recalls the artist's gift to the city in 1910; it corresponds to Wildenstein 1664.

Identification01

The Water Lilies, Wildenstein 1664

This almost square oil on canvas measures 89 × 93 cm. Its arrangement of leaves and reflections makes it possible to identify this particular version in Giverny's vast corpus.

Collection02

MuMa Le Havre, gift from the artist in 1910

Monet himself offered the work to the city of Le Havre. This direct provenance constitutes an essential landmark of its material history.

Pattern03

The Giverny water garden

Monet transforms a pool that he had converted into a pictorial laboratory. Here, the absence of shore and horizon focuses all attention on reflections, depths and floating flowers.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version given in Le Havre in 1910, Wildenstein 1664
  • The almost square format of 89 × 93 cm
  • Groups of irregular leaves on mauve blue water
  • The coexistence of vertical reflections and floating touches

Work sheet

Title Water Lilies W1664
Artist Claude Monet (1840 -1926)
Date 1904
Original technique Oil on canvas
Dimensions 89 × 93 cm
Orientation Almost square
Conservation MuMa - André Malraux Museum of Modern Art, Le Havre, France
Inventory Gift of the artist in 1910 · Wildenstein 1664
Your reproduction Handmade oil painting on canvas
Consult the official notice - MuMa Le Havre

Presentation in your interior

A palette designed with the room

Deep blues and pink accents create an enveloping feeling, ideal in a living room, bedroom or rest area. Light wood, natural linen and bluish gray walls extend its palette without competing with it.

Water Lilies W1664, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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