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Water lilies, gray weather W1708 - Claude Monet

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Water lilies, gray weather W1708 - Claude Monet

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Water lilies, gray weather W1708 - Claude Monet

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Water lilies, gray weather W1708 - Claude Monet

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Claude Monet · 1907 · private collection · W1708

Water lilies, gray weather W1708hand painted reproduction

A long pink and white gap crosses the pool between green, turquoise and purple reflections. The water lilies are arranged in irregular bands which bring the eye to the surface, while the reflected willows descend into the water. This vertical version shows neither bank nor horizon: all space is born from light and paint.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies, gray weather W1708 - Claude Monet - full view
Water lilies, gray weather W1708Claude Monet · 1907
1907Dating
100.2 × 73.2 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1708Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A vertical flow of light between the water lilies and the reflections of willows

The painting is organized around a current of light which starts from the top, widens in the center then almost reaches the lower edge. The floating leaves form several horizontal thresholds. On the right, a dark mass of reflections gives weight to the composition and accentuates the pink clarity.

Water green and turquoise dominate the deep areas, but blues, purples and pinks circulate throughout the surface. The flowers receive thicker and more vivid touches. Monet thus makes the flatness of the leaves coexist and the impression of almost bottomless depth.

In W1708, gray weather does not reduce color: it transforms the pool into a space of deep greens crossed by pink light.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A rare vertical format in the 1907 series

Christie's links this painting to the group of fifteen vertical water lilies painted that year. The format of 100.2 × 73.2 cm allows the reflections to descend for a long time, while making strips of leaves decisive interruptions.

02

Late afternoon light under overcast skies

The sales instructions describe a late light effect. Monet does not paint the sky directly: his clarity appears in the water in the form of a pale passage, surrounded by the colder and denser hues of reflected trees.

03

A diversity of actions to preserve

The flowers are laid in brief impasto, the leaves in side lines and the reflections in more fluid vertical marks. These different gestures prevent the surface from becoming decorative and give each area its own depth.

Reference image

Read this specific version

Only one reference image is used. Christie's photography was cropped to the edge of the canvas and then preserved in 1790 × 2445 px and converted into a real WebP, without artificial enlargement.

Composition01

A luminous diagonal in a vertical rectangle

The clear gap is not rigidly centered: it winds slightly to the left and then returns to the foreground. The dark masses on the right balance this movement.

Color02

Turquoise, emerald green, pale pink and purple

Greens structure the whole, while pink opens the light. Magenta flowers serve as punctuations and purples give density to reflections without reducing them to black.

Matter03

Floral impastos and transparent layers

Reproduction must alternate charged paint on the water lilies and more flexible passages in the water. The central light retains traces of color and should never become a uniform white.

Documented benchmarks

Three pieces of information specific to this work

Christie's documents this version under the title Water Lilies, Gray Time and Wildenstein Number 1708.

Identification01

Wildenstein 1708

This oil on canvas measures 100.2 × 73.2 cm. It is signed and dated "Claude Monet 1907" at the bottom right and was painted in Giverny.

Exposure02

Durand-Ruel Gallery, 1909

The painting appears under number 31 in the exhibition Les Nymphéas, series of water landscapes by Claude Monet, opened in Paris in May 1909. This presentation of forty-eight water landscapes marks public recognition of the cycle.

Provenance03

From Bernheim-Jeune to the Onassis collection

Bernheim-Jeune acquired the work directly from Monet in 1923. It then passed through Henri Canonne, Acquavella Galleries and the Onassis family before its sale at Christie's in 2022.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1708 version, signed and dated 1907
  • The original vertical format of 100.2 × 73.2 cm
  • The large pink gap preserved with its shades rather than flattened into white
  • Magenta flowers and turquoise reflections differentiated by their material

Work sheet

Title Water lilies, gray weather W1708
Artist Claude Monet (1840 -1926)
Date 1907
Original technique Oil on canvas
Dimensions 100.2 × 73.2 cm
Orientation Vertical
Conservation Private collection, Non-public location
Inventory Wildenstein 1708
Your reproduction Handmade oil painting on canvas
Consult the official notice - Christie's

Presentation in your interior

A palette designed with the room

Turquoise, emerald green, powder pink, purple and deep blue give this reproduction an enveloping presence. It is suitable for a bedroom, living room or reading space with dark wood, light linen and a sober setting.

Water lilies, gray weather W1708, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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