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The Water Lilies Basin, Boston W1630 - Claude Monet

The Water Lilies Basin, Boston W1630 - Claude Monet

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The Water Lilies Basin, Boston W1630 - Claude Monet

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The Water Lilies Basin, Boston W1630 - Claude Monet
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The Water Lilies Basin, Boston W1630 - Claude Monet

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Claude Monet · 1900 · MFA Boston · W1630

The Water Lily Basin, Boston W1630hand painted reproduction

The Japanese bridge appears almost absorbed in willows, reeds and reflections. In this version of Boston, the reds, blues and greens are particularly deep: the pool becomes a dense surface where the bridge arch still maintains an opening towards the garden.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Water Lilies Basin, Boston W1630 - Claude Monet - full view
The Water Lily Basin, Boston W1630Claude Monet · 1900
1900Dating
90.2 × 92.7 cmDimensions of the original
Oil on canvasOriginal technique
61,959 · Wildenstein 1630Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A blue and purple arch holds together the foliage and the mirror of the pool

The bridge occupies the upper left part. Its blue-purple railing stands out against a mass of dark foliage, punctuated with reds and yellows. The light arch opens a passage in the center, but the hanging branches deliberately reduce visibility.

The lower half is constructed by horizontal red, blue, green and ocher bands. Water lily leaves float at different heights and prevent reflections from becoming a regular carpet. A few pink and white flowers catch the eye without forming a single center.

The bridge remains recognizable, but the colorful material of the pond and willows is already beginning to prevail over the description of the garden.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of The Water Lilies Basin, Boston W1630 - Claude Monet
01

A partially concealed bridge

The arch must remain legible between the branches and the reeds, without being redrawn. Its railing brings together several blues and purples rather than a single uniform color.

02

Verticals against horizontal water

Willows fall in long strokes; the basin extends into shorter, lateral bands. Their meeting gives depth to an almost square composition.

03

A dark but bright palette

Red browns, deep greens and blue blacks structure the shadow. Yellows, pinks and turquoise pass through them to prevent reproduction from becoming opaque.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The Japanese bridge behind the willows - detail of The Water Lilies Basin, Boston W1630 - Claude Monet
The Japanese bridge behind the willowsThe detail brings the blues, purples and reds closer to the railing. The branches pass in front of the bridge and give the depth a layered construction.
Water lilies and colorful reflections - detail of The Water Lily Basin, Boston W1630 - Claude Monet
Water lilies and colorful reflectionsThe blue-green leaves and pink flowers land on a horizontal network of reds, yellows and blues. The water remains noticeable without a smooth surface.

The full view measures 1600 × 1549 px; native details measure 850 × 1050 px and 850 × 950 px. No files have been enlarged; all three images are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Boston 61,959, Wildenstein 1630

The Museum of Fine Arts dates this oil on canvas to 1900. It measures 90.2 × 92.7 cm and corresponds to number 1630 of Daniel Wildenstein's catalog raisonné.

Entrance to the museum02

A commemorative donation in 1961

The work is in the collections of the Museum of Fine Arts as a gift from the Fuller Foundation, in memory of Governor Alvan T. Fuller. It is numbered 61.959.

Moment of the series03

The bridge remains an architectural landmark

In this 1900 composition, Monet maintains the Japanese arch as his main structure. The reflections and foliage, however, spread across the entire surface, announcing the more immersive framing of the late water lilies.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the MFA Boston, 61.959 and W1630
  • The almost square format of 90.2 × 92.7 cm
  • Preserved bridge arch visible behind willows
  • The depth of reds, blues and greens without blocked areas

Work sheet

Title The Water Lily Basin, Boston W1630
Artist Claude Monet (1840 -1926)
Date 1900
Original technique Oil on canvas
Dimensions 90.2 × 92.7 cm
Orientation Almost square
Conservation Museum of Fine Arts, Boston, United States
Inventory 61,959 · Wildenstein 1630
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museum of Fine Arts Boston

Presentation in your interior

A palette designed with the room

Forest green, purple blue, earth red and turquoise give this reproduction an enveloping presence. It works with walnut, brass, natural linen and cream, midnight blue or deep green walls.

The Water Lilies Basin, Boston W1630, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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