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Water Lilies, Portland 59.16 W1795 - Claude Monet

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Water Lilies, Portland 59.16 W1795 - Claude Monet

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Water Lilies, Portland 59.16 W1795 - Claude Monet

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Water Lilies, Portland 59.16 W1795 - Claude Monet

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Claude Monet · 1914 -1915 · Portland Art Museum 59.16 · W1795

Water Lilies, Portland 59.16 W1795hand painted reproduction

Monet abolishes the shore and the horizon to fill the canvas with water, water lilies and reflections. The green discs gather mainly in the upper half, while white, pink and red flowers punctuate the surface. Below, the dark verticals of the willows mingle with the blue and purple sky: the pool becomes a deep space without traditional perspective.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water Lilies, Portland 59.16 W1795 - Claude Monet - full view
Water Lilies, Portland 59.16 W1795Claude Monet · 1914 -1915
1914 - 1915Dating
160.7 × 180.7 cmDimensions of the original
Oil on canvasOriginal technique
59.16 · Wildenstein 1795Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The sky and willows appear in the water, but no edge of the pool sets the distance

The composition reads first as a vast horizontal expanse. The floating leaves form irregular archipelagos, separated by light blue and lavender passages. Monet varies their outline, inclination and density; some are summarized by a dark oval, others receive several layers of green, pink and brown.

The vertical reflections of the branches descend from the upper part and reappear at the bottom of the canvas. They are interrupted by flowers and by bursts of blue which suggest the sky. This superposition prevents us from immediately distinguishing what floats on the surface from what is reflected in the depth.

Depth no longer comes from a distant horizon: it is born from the meeting between the leaves placed on the water and the reflections which pass through it.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A pool framed like a whole world

No bank is visible and the view has no architectural landmark. Monet thus transforms a fragment of a garden into an autonomous visual field, where the top and bottom correspond less to the real landscape than to an organization of colors.

02

Dark masses that balance the flowers

The lower right area concentrates almost black brown greens. It gives weight to the composition and brings out the light flowers. On the left, blues and mauves breathe more and maintain a bright opening.

03

A late, broad and repeated touch

Water lilies are constructed by visible gestures, sometimes placed on already dry passages. The contours should not be smoothed in reproduction: their hesitation and overlaps give the surface its vitality.

Reference image

Read this specific version

The single reference photograph measures 3,744 × 3,180 px. It shows the actual canvas of the Portland Art Museum and has been encoded as a real WebP to its native definition, without artificial enlargement.

Composition01

Groups of leaves without symmetry

Water lilies accumulate at the top and right, then disperse downwards. This uneven distribution animates the large format and creates several areas of water where the reflections remain fully readable.

Color02

Lilac blue, olive green and coral accents

The cold palette of the pool is awakened by some bright pink, orange and red flowers. These accents are rare; their location and intensity must remain measured to maintain the original balance.

Matter03

Brush marks that change direction

The leaves follow rather horizontal gestures, while the reflections descend vertically. The intersection of these two directions creates the sensation of a moving surface of water without resorting to drawn waves.

Documented benchmarks

Three pieces of information specific to this work

These landmarks concern precisely the Water Lilies of the Portland Art Museum, inventory 59.16 and Wildenstein number 1795.

Identification01

Portland Art Museum 59.16, W1795

This oil on canvas from 1914 -1915 measures approximately 160.7 × 180.7 cm. Acquired thanks to the Helen Thurston Ayer Fund, it has belonged to the Portland Art Museum since 1959.

Giverny workshop02

A work that remained with Monet

The museum says the painting was not sold during Monet's lifetime. An old photograph shows the artist working in front of this painting, in the presence of Blanche Hoschedé-Monet, which directly links the preserved image to her late studio.

Conservation03

The surface area found in 2024 -2025

A recent treatment removed a synthetic varnish applied in 1959 and turned dark. The blues, pinks and greens have regained more clarity, as well as the differences in material between reflections, leaves and flowers.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of Portland, inventory 59.16 and Wildenstein 1795
  • The original horizontal ratio of approximately 160.7 × 180.7 cm
  • The vertical reflections of the willows held under the floating leaves
  • Coral and pink accents preserved as rare punctuations in the cold range

Work sheet

Title Water Lilies, Portland 59.16 W1795
Artist Claude Monet (1840 -1926)
Date 1914 - 1915
Original technique Oil on canvas
Dimensions 160.7 × 180.7 cm
Orientation Horizontal
Conservation Portland Art Museum, Portland, Oregon, United States
Inventory 59.16 · Wildenstein 1795
Your reproduction Handmade oil painting on canvas
Consult the official notice - Portland Art Museum

Presentation in your interior

A palette designed with the room

Lavender blue, olive green, turquoise, soft pink and deep brown give this reproduction an enveloping presence. Its large horizontal format is suitable for a living room, a quiet bedroom or a space where side light can reveal variations in material.

Water Lilies, Portland 59.16 W1795, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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