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Water lilies W1689 - Claude Monet

Water lilies W1689 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses
Water lilies W1689 - Claude Monet

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Water lilies W1689 - Claude Monet
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Water lilies W1689 - Claude Monet

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Claude Monet · circa 1906 · Ohara Museum of Art · W1689

Water lilies W1689hand painted reproduction

The Giverny basin unfolds in a very light blue-green light. Small groups of yellow, white and pink leaves float at different distances, while the vertical reflections of the trees make one feel a depth without horizon. Preserved in Kurashiki, this version around 1906 is one of the emblems of the Ohara Museum of Art.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies W1689 - Claude Monet - full view
Water lilies W1689Claude Monet · around 1906
around 1906Dating
73 × 92.5 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1689Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Clear water crossed by green reflections and luminous flowers

The composition is organized around a large open water space. Water lilies are concentrated in several islets: a pale group in the left foreground, two yellow groups in the center and a few pink flowers near the right edge. These gaps give rhythm to a deliberately bare surface.

In the upper part, the vertical touches suggest the reflected trees; lower down, the horizontal marks reaffirm the surface of the pond. Monet thus crosses two brush directions to simultaneously render the depth of the reflection and the thin skin of the water.

W1689 breathes through its voids: the flowers do not fill the pool, they measure its luminous extent.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A flagship work of the Ohara Museum

The Ohara Museum of Art presents this painting in its journey of Western masterpieces. Its documentation dates it to around 1906 and gives the dimensions of 73 × 92.5 cm.

02

Kurashiki's Western Collection

Founded in 1930, the Ohara Museum is Japan's first private museum devoted primarily to Western art. Monet's Water Lilies occupy a central place in this collection story.

03

A balance between emptiness and vegetation

Water lilies are rarer than in some neighboring versions. Clear water retains large open areas, making variations of blue, green and purple particularly important.

Reference image

Read this specific version

Only one image is used: the complete view of W1689, preserved as a real WebP of 2,200 × 1,720 px, without artificial enlargement.

Composition01

Islets distributed at depth

Flower groups do not form a regular frieze. Their size, density and height in the canvas must vary to preserve the impression of remoteness.

Color02

Water green, sky blue, yellow and pink

The light palette is based on very fine transitions. The yellows are concentrated around the leaves; roses remain rare and serve as points of attention.

Matter03

Vertical reflections, horizontal water

The descending touches of the trees mingle with the flatter marks of the pool. This opposition builds space and must remain visible in the material of reproduction.

Documented benchmarks

Three pieces of information specific to this work

The Ohara Museum of Art dates this version to around 1906 and gives it the dimensions of 73 × 92.5 cm; it corresponds to Wildenstein number 1689.

Identification01

Water lilies, Wildenstein 1689

This almost panoramic oil on canvas measures 73 × 92.5 cm. It belongs to the countryside of water landscapes that Monet developed at the beginning of the 20th century in Giverny.

Collection02

Ohara Museum of Art, Kurashiki

The painting is kept in the institution founded by the industrialist Magosaburo Ohara. The museum opened in 1930 to make a major collection of Western art accessible to Japan.

Garden03

The Giverny water lily pond

Monet observes a garden that he designed himself. However, the painting describes neither path nor bridge: it isolates water, flowers and reflections to create an autonomous landscape.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Ohara's exact version, Wildenstein 1689
  • The original horizontal format of 73 × 92.5 cm
  • Large areas of clear water preserved between islets
  • The yellows and pinks maintained as accents, without supersaturation

Work sheet

Title Water lilies W1689
Artist Claude Monet (1840 -1926)
Date around 1906
Original technique Oil on canvas
Dimensions 73 × 92.5 cm
Orientation Horizontal
Conservation Ohara Museum of Art, Kurashiki, Japan
Inventory Wildenstein 1689
Your reproduction Handmade oil painting on canvas
Consult the official notice - Ohara Museum of Art

Presentation in your interior

A palette designed with the room

Water greens and light blues give a feeling of space and freshness. This reproduction is suitable for a living room, bedroom or dining room combining light wood, ecru textile and plant touches.

Water lilies W1689, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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