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Madame Monet brodant, Camille au métier W366 par Claude Monet, 1875, Barnes Foundation
  • Madame Monet brodant, Camille au métier W366 par Claude Monet, 1875, Barnes Foundation
  • Madame Monet brodant, Camille au métier W366 par Claude Monet, 1875, Barnes Foundation
Madame Monet embroidering, Camille at trade W366 - Claude Monet

Madame Monet embroidering, Camille at trade W366 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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The format automatically adapts to the original artwork.

Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Barnes Foundation Boutique Claude Monet Elegant Paintings French painting – French artists Impressionist Impressionist childhood and motherhood Japonism

Artwork description

Reproduction details

Claude Monet · Camille absorbed in her embroidery profession · Barnes Foundation

Madame Monet embroidering, Camille at loom W366hand painted reproduction

Camille Monet sits in profile in front of an inclined loom, focused on embroidery covered with flowers. The interior is filled with plants, foliage and textile patterns; a clear window opens an almost golden space behind it. Monet transposes his attention to light, which sparkles on the dress, the loom and the leaves, into a domestic scene.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Madame Monet embroidering, Camille at loom W366 - Claude Monet - full view
Madame Monet embroidering, Camille at loom W366Claude Monet · 1875
1875Dating
65.4 × 55.9 cmDimensions of the original
Oil on canvasOriginal technique
BF197 · Wildenstein 366Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Camille's calm gesture blends into an interior of plants, textiles and light

Camille is placed slightly to the left of the center. Her bust leans towards the loom, while her hands remain close to the fabric. The blue-green dress goes down to the ground and receives a multitude of light, red and gold touches on the front which respond to the embroidery.

Leaves occupy the top, bottom and sides of the canvas, like a second frame around the figure. The oblique post of the loom passes through the composition and leads towards the window. To the right, a pile of fabrics or baskets and a dark trunk balance Camille's mass.

Even inside, Monet paints the light as a moving phenomenon: it passes through the leaves, hangs the dress and fragments on the embroidery work.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diagonal to make the work visible

The craft is presented sideways so that the viewer sees its frame, the textile and Camille's posture at the same time. This oblique connects the face, hands and floral pattern without completely opening the space.

02

An intimate scene heir to the Dutch masters

The Barnes Foundation brings the figure absorbed in his task closer to the interiors of the Dutch 17th century, then rediscovered in France. Monet transforms this tradition with a free touch and vibrant color.

03

The dress becomes a surface of light

White, pink, green and brown touches sparkle on the fabric. They describe the folds, but also evoke a tapestry texture that directly responds to the embroidery activity.

Reference image

Read this specific version

The image published by the Barnes Foundation corresponds to inventory BF197 and Wildenstein number 366. Its native definition of 1017 × 1200 px was retained during WebP encoding, without oversampling.

Composition01

The face remains in a colored shadow

It is not lit like an official portrait: blue, pink and brown mingle under the dark hairstyle. This restraint focuses attention on the gesture and the surrounding light.

Color02

The profession maintains a readable construction

Its ocher and brown uprights must remain solid despite the multitude of touches. They provide the main geometric reference in the middle of plants and textiles.

Matter03

The foliage forms several depths

Some leaves are close, dark and cut at the edges; others are in front of the window and become translucent. This diversity avoids a flat plant frame.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1875, this 65.4 × 55.9 cm oil on canvas represents Camille Doncieux, Monet's first wife. It is kept at the Barnes Foundation under the BF197 inventory and classified Wildenstein 366.

Model01

Camille Doncieux Monet at work

Monet places his easel inside to grab his wife sitting in front of the loom. The concentration of the model and the absence of gaze towards the spectator give the scene an observed rather than calm character.

Reference02

A memory of Dutch domestic scenes

La Barnes highlights the rapprochement with the masters of the 17th century, very appreciated in France in the 1870s. The daily task and the silent interior are renewed by the impressionist light.

Presentation03

The work is exhibited in a set in Room 7

At the Barnes Foundation, BF197 is integrated into the west wall among paintings, metal objects and decorative arts. This arrangement reflects Albert Barnes' method, based on visual relationships between works.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Keeping posture focused and face in shadow.
  • Maintain the solid diagonal of the loom.
  • Make the dress sparkle without losing its volume.
  • Differentiate between plants near leaves lit by the window.

Work sheet

Title Madame Monet embroidering, Camille at loom W366
Artist Claude Monet (1840 -1926)
Date 1875
Original technique Oil on canvas
Dimensions 65.4 × 55.9 cm
Orientation Vertical
Conservation Barnes Foundation, Philadelphia, United States
Inventory BF197 · Wildenstein 366
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Barnes Foundation - BF197

Presentation in your interior

A palette designed with the room

This vertical portrait is suitable for a library, living room or workspace. A walnut, deep green or patinated bronze frame accompanies the plant interior; a soft light brings out the light touches of the dress and textile.

Madame Monet embroidering, Camille with the W366 loom, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Madame Monet embroidering, Camille at trade W366 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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