À propos de l’œuvre
La Madone du Bobineur, par Léonard de Vinci
Leonardo da Vinci · around 1501 -1510 · Maturity · composition known from several versions
The Coiler's Madonna
Leonardo da Vinci
A hand-painted oil reproduction that recreates the pattern, depth and light transitions of the composition. The Child grabs a reel whose shape evokes a cross, while Mary tries to hold it in front of a landscape of mountains and water.
The subject of the work
Gestures build the meaning of the scene
The Child grabs a reel whose shape evokes a cross, while Mary tries to hold him in front of a landscape of mountains and water.
The Child's body projects towards the cruciform object, as opposed to Mary's protective gesture. The landscape amplifies this tension in depth.
Composition, light & sfumato
A depth built without hard contour
Leonardo organizes space through gestures, looks, perspective and gradual passages between shadow and light.
The motive
The Child grabs a reel whose shape evokes a cross, while Mary tries to hold him in front of a landscape of mountains and water.
The construction of the gaze
The Child's body projects towards the cruciform object, as opposed to Mary's protective gesture. The landscape amplifies this tension in depth.
The palette and the light
Blues, browns, earths and light skin tones blend into cold distances thanks to the atmospheric perspective.
Landmarks on the work
Three keys to looking at it better
These landmarks distinguish the autograph work, the participation of the workshop, the known versions and the compositions now lost.
Maturity · composition known by several versions
This landmark places the composition in Leonardo's Florentine, Milanese or late journey.
around 1501 -1510Leonardo da Vinci and workshop · precise version to be confirmed
The status is formulated with caution when the workshop, a copy or a discussed attribution occurs.
Virgin and ChildOriginal lost; several workshop or collector's versions
Oil on panel depending on the version
Documentary referenceDocumentary note: The sheet distinguishes Leonardo's invention, the participation of his workshop, old copies and lost works. It does not automatically assign to the master a version whose status remains discussed.
Your reproduction
A real painting, made for you
The painter adapts the level of detail to the format ordered, then submits the finished painting to you before shipping.
Features
| Original composition | Leonardo da Vinci and workshop · precise version to be confirmed |
|---|---|
| Dating | around 1501 -1510 |
| Period | Maturity · composition known by several versions |
| Reproduction technique | Handmade oil painting on canvas |
| Original support | Oil on panel depending on the version |
| Orientation | Vertical |
| Gender | Virgin and Child |
| Location or status of the original | Original lost; several workshop or collector's versions |
From order to shipping
Presentation tips
Bring Leonardo’s depth to life in your interior
This vertical composition naturally finds its place on a narrow wall, above a console or between two openings. Soft, side-mounted light reveals glacis and transitions without producing frontal reflection.
Frequently asked questions
Before ordering
Is this a canvas print?
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and variations in material are part of the rendering.
Why does the medium sometimes differ from the original?
Several originals are painted on a panel or directly on a wall. The reproduction transposes their composition onto a canvas intended to be installed in an interior.
Can I check the result before shipping?
Yes. You receive photographs of the completed painting and can request edits before validating the shipment.
Which location is best?
Its vertical orientation is particularly suitable on a narrow wall, above a console or between two openings.
