Brushstrokes for each roof
The Toledo Museum highlights the side features of the tiled roof and the descending features of the thatches. The material of the building becomes readable by the direction of the key alone.
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Préparation de la sélection…
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3 · Mise en situation
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Comprendre les formats
Vincent van Gogh · End of May 1890 · Chaponval, Auvers-sur-Oise, France
Behind a stone wall and flower gardens, several houses in Chaponval tighten their roofs with tiles and thatch. Van Gogh differentiates each material with precise brush direction, then vibrates trees, hedges and flowers around the light facades.
Look at the work
The central house has a white facade, blue shutters and a purple-blue roof painted in horizontal bands. To the left and behind it, darker thatched roofs descend in oblique touches. The chimneys cut out the strip of lilac gray sky.
A stone wall runs through the entire foreground. Above, hedges, vegetable gardens and red flowers create several plant bands. The trees at the bottom are constructed by green and purple curves which contrast with the geometry of the buildings.
The composition contrasts the stability of walls and facades with the continuous movement of roofs, trees and gardens.
Composition, touch and color
The 1935.5 painting can be recognized by its white house with its blue roof, the long stone wall, the two fireplaces and the tiered gardens of Chaponval.
The Toledo Museum highlights the side features of the tiled roof and the descending features of the thatches. The material of the building becomes readable by the direction of the key alone.
Wall, gardens, facades, roofs and trees form superimposed strips. Despite their density, the levels remain clear thanks to changes in color and orientation.
A few poppies and red flowers punctuate the bottom of the painting. These little warm accents make the eye circulate in front of the large green and blue ensembles.
Documented benchmarks
The Toledo Museum of Art preserves Maisons à Auvers under number 1935.5. The work of 60 × 73 cm is cataloged F759 and JH1988.
The museum places these houses on rue de Gré, in the western part of Auvers. The buildings still exist, even if their appearance has changed.
The painting was purchased through the Libbey Endowment, a donation from Edward Drummond Libbey, and bears inventory 1935.5.
The Toledo Museum's online notice indicates that the painting is not presented in the rooms at the time of consultation.
Your reproduction
The painter must differentiate tiles, thatch, stone and foliage by their own touches, while keeping the organization of gardens and houses legible.
| Title | Houses in Auvers |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | End of May 1890 |
| Place of creation | Chaponval, Auvers-sur-Oise, France |
| Original technique | Oil on canvas |
| Dimensions | 60 × 73 cm |
| Inventory | 1935.5 · F759 · JH1988 |
| Conservation | Toledo Museum of Art, Toledo |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The horizontal format brings a rural atmosphere to a living room, kitchen or country house. Lavender blues, greens and light stone accompany oak, linen and ceramics.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The Google Art Project reference of 5,665 × 4,571 px was reduced to 3,000 × 2,421 px and then converted to a real WebP.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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