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Marine, le Port d’Amsterdam W298 par Claude Monet, 1874, Yamazaki Mazak Museum of Art
  • Marine, le Port d’Amsterdam W298 par Claude Monet, 1874, Yamazaki Mazak Museum of Art
  • Marine, le Port d’Amsterdam W298 par Claude Monet, 1874, Yamazaki Mazak Museum of Art
Marine, the Port of Amsterdam W298 - Claude Monet

Marine, the Port of Amsterdam W298 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet French painting – French artists Impressionist Impressionist cities and modern life Impressionist Landscapes Impressionist water and coastlines Japonism Yamazaki Mazak Museum of Art

Artwork description

Reproduction details

Claude Monet · Tall Ships in Amsterdam Port · Yamazaki Mazak Museum of Art

Navy, Amsterdam Port W298hand painted reproduction

Under an intense blue sky crossed by white clouds, the port of Amsterdam becomes a forest of masts, yards and chimneys. Monet contrasts the dark mass of large ships with the small boats that slide in the foreground. Touches of turquoise, pink, orange and cream disperse through the water, transforming the activity of the port into a luminous vibration.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Marine, the Port of Amsterdam W298 - Claude Monet - full view
Navy, Amsterdam Port W298Claude Monet · 1874
1874Dating
60 × 81 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 298Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The industrial silhouettes of the port dissolve in a blue, moving light

On the right, a large black three-masted ship dominates the scene, its rounded hull and tight rigging forming the main dark counterweight. Other ships are spread out to the left and center. Between them, two small boats occupied by tiny figures give the scale of the basin.

The sky covers more than half of the canvas and is constructed by large blue passages placed around cream clouds. In the water, the reflections do not exactly extend the ships: they become horizontal fragments of light blue, salmon pink, ocher and green which animate the entire surface.

Monet does not describe each boat separately: he unites the rigging, the smoke, the sky and the reflections in the same rhythm of colorful touches.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A composition carried by the masts and yards

The very high verticals and horizontals of the yards create an irregular pattern in front of the sky. This construction maintains the depth of the port while making the density of the moored ships felt.

02

The contrast between large buildings and small boats

The dark hulls frame a lighter central channel where frail boats circulate. This scale ratio gives the painting its scale and prevents the tangle of the rigging from becoming decorative.

03

Amsterdam at the time of the birth of impressionism

Monet returned to the Netherlands in 1874, the year of the first impressionist exhibition. In this navy, the modern motif of the great port is treated by the fleeting effects of light rather than careful topographical description.

Reference image

Read this specific version

The visual corresponds to Marine, the Port of Amsterdam, listed Wildenstein 298 and kept at the Yamazaki Mazak Museum of Art. The image of 1,600 × 1,188 px was preserved at its native definition then encoded as a real WebP.

Composition01

The blue of the sky remains crossed by matter

Gray, green and cream passages appear under the turquoise touches. A uniform flatness would remove the feeling of air and the relationship between clouds and smoke from the port.

Color02

Black shells contain several colors

Deep blue, dark green, brown and red accents shape the ships. Their outline must remain flexible so that they remain subject to the same light as the rest of the scene.

Matter03

Warm reflections structure cold water

Salmon roses and ochres slip among the blues and greens. These small colored oppositions guide the eye towards the central channel and the boats.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1874, this oil on canvas measures approximately 60 × 81 cm. It is listed as Wildenstein 298 and kept at the Yamazaki Mazak Museum of Art in Nagoya.

Stay01

Monet's return to Amsterdam in 1874

After a first visit to the Netherlands in 1871, Monet returned to Amsterdam in the spring of 1874. He painted several views of the port, canals and bridges, each organized around a particular atmospheric effect.

Subject02

A large seaport in full activity

Commercial sailboats, tugs and small boats share the same basin. Smoke and rigging place the picture in the modern world, but the brilliance of the color distances it from any strictly documentary vision.

Catalog03

A version precisely identified by the number W298

Wildenstein number 298 distinguishes this composition from other views of Amsterdam painted at the same period. The large black hull on the right, the two central boats and the blue sky constitute its essential visual cues.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Preserve the large dark mass of the right ship.
  • Maintain the fineness and spacing of the rigging.
  • Keep small figures in the center at the correct scale.
  • Vibrate the water with distinct blue, pink and ocher touches.

Work sheet

Title Navy, Amsterdam Port W298
Artist Claude Monet (1840 -1926)
Date 1874
Original technique Oil on canvas
Dimensions 60 × 81 cm
Orientation Horizontal
Conservation Yamazaki Mazak Museum of Art, Nagoya, Japan
Inventory Wildenstein 298
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Yamazaki Mazak Museum of Art - collection of French paintings

Presentation in your interior

A palette designed with the room

This horizontal navy is suitable for a living room, office or dining room. A weathered black, deep blue or smoked oak frame highlights the ships; an ivory or pearl gray wall reveals the turquoise of the sky.

Marine, Amsterdam Port W298, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Marine, the Port of Amsterdam W298 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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