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The Blue Boat W1153 - Claude Monet

The Blue Boat W1153 - Claude Monet

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The Blue Boat W1153 - Claude Monet

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The Blue Boat W1153 - Claude Monet
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The Blue Boat W1153 - Claude Monet

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Claude Monet · Epte river · 1887 · W1153

The Blue Boat W1153hand painted reproduction

Marthe Hoschedé, on the left, faces the gaze while Blanche, seen from behind, sits closer to the bow. Their boat enters obliquely into blue and green water whose reflections blur the border between the bodies, the hull and the river. Made in 1887, this oil on canvas measuring 109 × 129 cm today belongs to a private collection and corresponds to Wildenstein 1153.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Blue Boat W1153 - Claude Monet - full view
The Blue Boat W1153Claude Monet · 1887
1887Dating
109 × 129 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1153Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Two young women hanging in the Epte mirror

The boat occupies the entire right half and is cut by the edge. Marthe appears from the front under a green hat, her light dress animated by lilacs. Blanche turns her back on the viewer; its more vertical silhouette and hat respond to the dark curve of the hull.

The river is painted with a multitude of touches of blue gray, turquoise, pink and green. Under the figures, the reflection becomes darker and more irregular. A few white passages on the dresses and the edge of the boat concentrate the light in the middle of a moving surface.

The boat is not just a motif: it serves as a dividing line between two recognizable women and their unstable doubles, dissolved in the water beneath the boat.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diagonal that opens then cuts space

The hull rises from the center towards the right edge and draws the eye with it. Because it is truncated, the scene seems observed up close, like a surprised moment at the edge of the river.

02

Two complementary poses

Marthe looks towards the outside of the painting, Blanche towards the inside of the boat. This opposition avoids a frontal scene and gives the group a natural relationship, without strong narration.

03

Water as the real material of the painting

The reflections do not exactly reproduce the figures. They stretch them into blue, purple and brown masses, making the river an autonomous field of color and movement.

Reference image

Read this specific version

A single exact image of W1153 is used throughout the file and as the sole media for the product. The real WebP measures 1024 × 858 px and retains the native definition available without artificial enlargement.

Composition01

Keep Marthe on the left and Blanche seen from behind

Their respective orientation distinguishes W1153 from other boat scenes painted by Monet the same year. The poses must remain readable despite the free touch.

Color02

Preserve cold blues and greens

The river should not become uniformly turquoise. Grays, pinks and purple shadows give depth and grant water to dresses.

Matter03

Keep the boat partially out of frame

Cutting the right edge provides the impression of immediate proximity. Artificially completing the bow or refocusing the pattern would distort the composition.

Documented benchmarks

Three pieces of information specific to this work

The Blue Boat is an oil on canvas from 1887 measuring 109 × 129 cm, listed Wildenstein 1153 and currently kept in a private collection.

Models01

Marthe and Blanche Hoschedé

Alice Hoschedé's two daughters are represented in a boat on the Epte in Giverny. They belong to the family circle that Monet painted regularly after settling in the village.

Group02

A suite dedicated to boat trips

W1153 immediately follows Norwegian W1151 and On the boat W1152 in the catalog raisonné. The three tables explore different framing, positions and reflection ratios.

Provenance03

Formerly in the Thyssen-Bornemisza collection

The painting belonged to the Thyssen-Bornemisza collection before being sold in 1976. Its current location is not made public.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1153 version
  • Marthe from the front and Blanche seen from behind
  • The diagonal boat cut by the right edge
  • The blue-purple reflections under the hull

Work sheet

Title The Blue Boat W1153
Artist Claude Monet (1840 -1926)
Date 1887
Original technique Oil on canvas
Dimensions 109 × 129 cm
Orientation Horizontal
Conservation Private collection, Non-public location
Inventory Wildenstein 1153
Your reproduction Handmade oil painting on canvas
Consult the documentary notice - Documentary notice of La Barque bleue · Wildenstein 1153

Presentation in your interior

A palette designed with the room

This horizontal stage is suitable for a living room, bedroom or office. A blue gray, deep green or pinkish beige wall and a dark brown frame highlight the dresses and the water mirror.

The Blue Boat W1153, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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