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Meule à Giverny W1073 par Claude Monet, musée de l’Ermitage

Grinding wheel in Giverny W1073 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Giverny · 1886 · W1073

Grinding wheel in Giverny W1073hand painted reproduction

A haystack stands in an orange-red field in front of the houses and trees of Giverny. Its compact shape receives greens, yellows and roses which connect it to the meadow, while the bottom hillside fades under a changing sky. Signed and dated Claude Monet 86 lower right, this oil on canvas measuring 60.5 × 81.5 cm is preserved in the Hermitage Museum under the number ̄onds-6563 and corresponds to Wildenstein 1073.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Grinding wheel in Giverny W1073 - Claude Monet - full view
Grinding wheel in Giverny W1073Claude Monet · 1886
1886Dating
60.5 × 81.5 cmDimensions of the original
Oil on canvasOriginal technique
ʻilt-6563 · Wildenstein 1073Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The millstone appears as a volume of light in the middle of a red and green field

Placed slightly to the left of the center, the millstone occupies the foreground without filling the entire composition. Behind it, low roofs form a horizontal band, then trees and hills overlap several depths to the sky.

The field combines coral red, pink, yellow and green in long inclined touches. The millstone uses these colors in a more rounded material; the purple and gray sky, painted more widely, announces a change of weather.

The millstone is not yet the exclusive motif of the major series of 1890: it remains an element of the landscape, connected to the field, farms and hillside.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A central subject but still inscribed in the village

The houses and trees remain clearly visible. They give the millstone a rural function and distinguish it from the isolated shepherds that Monet would study a few years later.

02

A shape constructed by curved touches

The strands are not drawn one by one. Yellow, green, pink and blue passages revolve around the volume and suggest both straw and light.

03

A time that changes above the field

The gray pink sky appears heavy, while a lighter strip opens the horizon. This opposition gives the scene its mixture of calm and movement.

Reference image

Read this specific version

The unique high definition image of 6484 × 4800 px was reduced to 3000 × 2221 px and then encoded as a real WebP, without artificial enlargement.

Composition01

Keep the wheel low position

It must remain surrounded by the field so that the foreground retains its width and the village remains readable behind.

Color02

Preserve reds mixed with green

The meadow does not form a flat area of poppies; the two colors interpenetrate in long touches which reflect the grass and the wind.

Matter03

Keep the houses very simple

Their light walls and orange roofs serve as a transition. Architectural details that are too sharp would make them more important than the millstone.

Documented benchmarks

Three pieces of information specific to this work

The Hermitage Museum documents Meule à Giverny, oil on canvas from 1886, 60.5 × 81.5 cm, signed and dated lower right, inventory ʻonds-6563 and Wildenstein catalog 1073.

Pattern01

One of Monet's first millstones in Giverny

The table precedes the systematic series of 1890-1891. The millstone remains here an element of a broader view of the village and its fields.

Comparison02

The same hillside painted a year earlier

The Hermitage notice brings the canvas closer to a field of poppies from 1885 showing this slope without the millstone in the foreground.

Provenance03

From the Shchukin collection to the Hermitage

The work belonged to Sergei Shchukin from 1904, joined the Museum of Modern Western Art in Moscow then entered the Hermitage in 1931.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1073 version
  • The isolated millstone in the foreground
  • The orange-red field crossed with green
  • The farms of Giverny under the purple sky

Work sheet

Title Grinding wheel in Giverny W1073
Artist Claude Monet (1840 -1926)
Date 1886
Original technique Oil on canvas
Dimensions 60.5 × 81.5 cm
Orientation Horizontal
Conservation Hermitage Museum, St. Petersburg, Russia
Inventory ʻilt-6563 · Wildenstein 1073
Your reproduction Handmade oil painting on canvas
Consult the official notice - Hermitage Museum · ʻoult-6563

Presentation in your interior

A palette designed with the room

This horizontal landscape is suitable for a living room, dining room or office. A deep green, powder pink or linen wall and a brown or matte gold frame extend its warm and vegetal accord.

Grinding wheel in Giverny W1073, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Grinding wheel in Giverny W1073 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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2

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