Grinding wheel in the sun W1288 - Claude Monet

Grinding wheel in the sun W1288 - Claude Monet

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Grinding wheel in the sun W1288 - Claude Monet

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Grinding wheel in the sun W1288 - Claude Monet
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Grinding wheel in the sun W1288 - Claude Monet

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Claude Monet · Giverny · 1891 · W1288

Sun grinder W1288hand painted reproduction

A unique grinding wheel, monumental and truncated by the upper edge, rises in pink, mauve and blue light. This oil on canvas measuring 60 × 100 cm, signed Claude Monet 91, is kept at the Kunsthaus Zürich under number 1969/0007 and corresponds to Wildenstein 1288.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Grinding wheel in the sun W1288 - Claude Monet - full view
Sun grinder W1288Claude Monet · 1891
1891Dating
60 × 100 cmDimensions of the original
Oil on canvasOriginal technique
1969/0007 · Wildenstein 1288Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The millstone extends beyond the frame and transforms the landscape into a field of color

The gerbier occupies almost the entire height of the canvas. Its blue-purple base anchors itself in the meadow, while its top disappears out of the frame: the agricultural mass becomes a close presence, larger than the landscape that surrounds it.

The sky changes from powder pink to purple, the ground from cold green to blue. Light does not outline the millstone; it circulates in the straw in small touches of ocher, lilac, turquoise and colored white.

In W1288, the subject remains readable, but the proximity of the gerbier and the continuity of the keys already make the eye hesitate between object, light and painted surface.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A unique framing in the series

The Kunsthaus instructions emphasize that this version is the only one in the group where the gerbier is cut by the upper edge. This truncation gives the pattern an unusual scale.

02

A light constructed by temperatures

The lit side mixes pink, yellow and cream; the shadow contains blue, green and purple. The volume arises from these temperature differences more than from a brown model.

03

Le Clos Morin in Giverny

Monet paints the gerbiers installed each year by the farmer Quéruel on the Clos Morin property, to the west of his house. W1288 belongs to the systematic cycle of 1890 -1891.

Reference image

Read this specific version

Only one reference image is used. The exact scan of W1288 is provided in real WebP of 1200 × 723 px, at its available resolution and without artificial enlargement.

Composition01

The summit deliberately off-camera

The upper cut does not result from cropping the image: it belongs to the original composition and must be preserved in reproduction.

Color02

Purples present even in the straw

The colored shadows cross the gerbier and respond to the sky. A uniform yellow would cause the vibrant light of the canvas to lose.

Matter03

Short, tight, directional keys

The material follows the inclinations of the straw on the millstone, then horizontalizes in the meadow. This difference in gesture separates the volume of the land.

Documented benchmarks

Three pieces of information specific to this work

The Kunsthaus Zürich documents Grindstone in the Sun, oil on canvas from 1891, 60 × 100 cm, inventory 1969/0007 and Wildenstein 1288.

Series01

The gerbiers of Clos Morin

Between 1888 and 1891, Monet returned to the gerbiers visible near his house. Part of the cycle was presented by Paul Durand-Ruel in Paris in 1891.

Reception02

A decisive work for Kandinsky

The Kunsthaus notice reports that Kandinsky saw this millstone in Moscow without immediately identifying the subject, an experience he later associated with the idea of an abstract painting.

Acquisition03

Joined the Kunsthaus in 1969

The museum acquired the painting thanks to the Otto Meister legacy. It bears the 1969/0007 inventory and the Claude Monet 91 signature at the bottom right.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Version 1969/0007, Wildenstein 1288
  • The gerbier cut by the upper edge
  • The contrast between blue shadows and pink light
  • The direction of the keys in the straw and the meadow

Work sheet

Title Sun grinder W1288
Artist Claude Monet (1840 -1926)
Date 1891
Original technique Oil on canvas
Dimensions 60 × 100 cm
Orientation Horizontal
Conservation Kunsthaus Zurich, Zurich, Switzerland
Inventory 1969/0007 · Wildenstein 1288
Your reproduction Handmade oil painting on canvas
Consult the official notice - Kunsthaus Zürich · 1969/0007

Presentation in your interior

A palette designed with the room

The very horizontal format and the combination of mauves, blues and greens are suitable above a sideboard or sofa. A pinkish beige wall, walnut and gray blue textiles extend the light without competing with the pattern.

W1288 sun grinder, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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