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Grinding wheel W1364 - Claude Monet

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Grinding wheel W1364 - Claude Monet

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Grinding wheel W1364 - Claude Monet

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Grinding wheel W1364 - Claude Monet

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Claude Monet · 1893 · D'Amour Museum 44.06 · W1364

Grind wheel W1364hand painted reproduction

A single millstone stands in a yellow and green meadow, in front of a row of bluish trees. Painted in 1893, two years after the famous series of twenty-five millstones, this canvas takes up the motif in a more open and summery form. The agricultural object remains central, but it fully belongs to the light of the field.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Grinding wheel W1364 - Claude Monet - full view
Grind wheel W1364Claude Monet · 1893
1893Dating
66 × 101.6 cm (26 × 40 in.)Dimensions of the original
Oil on canvasOriginal technique
44.06 · Wildenstein 1364Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A solitary millstone under the light of Giverny, after the great series of 1890 -1891

The millstone occupies the center right and stands out in front of a strip of trees. The meadow fills the entire foreground; the sky only appears as a thin, clear area. This horizon height gives the field an almost tactile presence.

Ochres, pinks and purples build the millstone without regular outline. Around it, greens are mixed with yellow and blue. The trees form a colder curtain that advances the warm volume, while connecting its color to the shadows of the landscape.

W1364 extends the Meules experience: the object is not isolated from the landscape, it becomes the instrument that reveals the precise quality of light.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A revival of the motif after the famous series

The Springfield Museums recalls that Monet painted this canvas in 1893, two years after the twenty-five Meules of 1890 -1891. He therefore continues to explore the same subject, but in a greener field and under a more diffuse light.

02

A volume constructed without hard drawing

The rounded silhouette is held together by superimposed ocher, pink, blue and purple touches. The edge merges in places with the meadow and trees. Reproduction must preserve this transition instead of surrounding the millstone with a uniform line.

03

The foreground as a color field

The meadow takes up a large part of the format. Its yellow and green touches create a lateral movement that responds to the curtain of trees. This area should not be treated as a simple flat bottom.

Reference image

Read this specific version

Only one reference image is used. The best exact public file measures 1980 × 1215 px; it has been kept at this definition and converted into a real WebP, without artificial enlargement.

Composition01

A warm shape in front of a screen of cold trees

The millstone comes off thanks to the temperature difference more than the value. The bluish trees and the yellow meadow establish the two planes which surround it.

Color02

Pink, purple, meadow green and blue gray ocher

Warm tones dominate the straw, but purple accents give it relief. Greens contain yellow in the foreground and turn bluer near the row of trees.

Matter03

A rhythmic touch across the entire surface

The museum describes the broken and regular gestures used by Monet to capture the light. Their direction varies depending on the meadow, the millstone and the foliage, which keeps each material readable.

Documented benchmarks

Three pieces of information specific to this work

The D'Amour Museum of Fine Arts preserves this Grindstone under number 44.06, identified Wildenstein 1364.

Identification01

D'Amour Museum 44.06, W1364

This oil on canvas from 1893 measures 26 × 40 inches, or approximately 66 × 101.6 cm. It is signed and dated "Claude Monet 93" at the bottom left.

Collection02

The James Philip Gray Collection

The work belongs to the Michele and Donald D'Amour Museum of Fine Arts, one of the Springfield Museums. Its collection credit is The James Philip Gray Collection and its accession number 44.06.

Context03

After the twenty-five millstones

Between 1890 and 1891, Monet systematically painted the gerbiers near his house according to the time and the season. W1364 shows that the motif continued to interest him in 1893, in a composition more widely open to meadows and trees.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The D'Amour Museum version 44.06 and Wildenstein 1364
  • The original horizontal format of 26 × 40 inches
  • The silhouette of the millstone melted in places in the meadow
  • The pink ochres balanced by the purples and blues of the curtain of trees

Work sheet

Title Grind wheel W1364
Artist Claude Monet (1840 -1926)
Date 1893
Original technique Oil on canvas
Dimensions 66 × 101.6 cm (26 × 40 in.)
Orientation Horizontal
Conservation Michele and Donald D'Amour Museum of Fine Arts, Springfield, United States
Inventory 44.06 · Wildenstein 1364
Your reproduction Handmade oil painting on canvas
Consult the official notice - Springfield Museums

Presentation in your interior

A palette designed with the room

Pink, purple, meadow green, gray blue and soft yellow ocher give this reproduction a natural warmth. It is suitable for a dining room, living room or country house with oak, linen and a discreet golden setting.

W1364 grinding wheel, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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