Two volumes at different distances
The difference in scale between the millstones creates depth without path or architecture. The large gerbier acts as a threshold in front of the misty space.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Giverny · 1889 · W1214
Two millstones emerge from a field drowned in mauve, pink and blue, under a morning light which almost dissolves the horizon. Painted in Giverny in 1889, this oil on canvas measuring 65 × 92 cm belongs to a private collection and corresponds to Wildenstein 1214.

Look at the work
The large left millstone is truncated by the lower edge and dominates the composition. The second, smaller, stands back to the right; behind them, the field and the sky meet in a clear atmosphere.
Purple, lilac, pink and blue run through the ground and shadows. The peaks receive warmer touches of ocher and red, while the sky mixes white, mauve and pale yellow.
The pattern remains solid, but its contours vibrate: the morning light seems to directly attack the shape of the millstones.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The difference in scale between the millstones creates depth without path or architecture. The large gerbier acts as a threshold in front of the misty space.
Purple shadows dominate, but a few reds and ochres indicate surfaces already affected by light.
W1214 shortly precedes the twenty-five systematic millstones. Monet already explores the repetition of the motif and the transformation of its colors by time.
Reference image
Only one exact image of W1214 is used. The real WebP measures 1,280 × 914 px and maintains the best reliable public definition, without artificial enlargement.
Its scale depends on this close framing. Reducing it or adding field in front of it would weaken its monumental role.
Shadows should not turn gray or black. The mixture of lilac, blue and pink produces the morning effect.
It must remain less contrasted than the first. This atmospheric difference is essential to depth.
Documented benchmarks
Les Meules, Giverny, morning effect is an oil on canvas from 1889, 65 × 92 cm, kept in a private collection and listed Wildenstein 1214.
It can be recognized by its two millstones, predominantly purple-pink and the large left gerbier which enters directly from the lower edge.
The shapes are stacks built to protect the harvest. Their stable geometry provides Monet with ideal support for observing light.
The large suite numbered W1266 to W1290 begins after the harvest of 1890. W1214 shows that research was already underway in Giverny.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Les Meules, Giverny, morning effect W1214 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1889 |
| Original technique | Oil on canvas |
| Dimensions | 65 × 92 cm |
| Orientation | Horizontal |
| Conservation | Private collection, Work documented in the catalog raisonné |
| Inventory | Wildenstein 1214 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This soft harmony is suitable for a bedroom, living room or office. A gray pink, lavender or light beige wall and a warm brown frame extend its atmosphere.
Custom order
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Your reproduction is hand-painted entirely in oil.
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