Grinding wheel in Giverny W1073 - Claude Monet

Grinding wheel in Giverny W1073 - Claude Monet

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Grinding wheel in Giverny W1073 - Claude Monet

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Grinding wheel in Giverny W1073 - Claude Monet
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Grinding wheel in Giverny W1073 - Claude Monet

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Claude Monet · Giverny · 1886 · W1073

Grinding wheel in Giverny W1073hand painted reproduction

A haystack stands in an orange-red field in front of the houses and trees of Giverny. Its compact shape receives greens, yellows and roses which connect it to the meadow, while the bottom hillside fades under a changing sky. Signed and dated Claude Monet 86 lower right, this oil on canvas measuring 60.5 × 81.5 cm is preserved in the Hermitage Museum under the number ̄onds-6563 and corresponds to Wildenstein 1073.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Grinding wheel in Giverny W1073 - Claude Monet - full view
Grinding wheel in Giverny W1073Claude Monet · 1886
1886Dating
60.5 × 81.5 cmDimensions of the original
Oil on canvasOriginal technique
ʻilt-6563 · Wildenstein 1073Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The millstone appears as a volume of light in the middle of a red and green field

Placed slightly to the left of the center, the millstone occupies the foreground without filling the entire composition. Behind it, low roofs form a horizontal band, then trees and hills overlap several depths to the sky.

The field combines coral red, pink, yellow and green in long inclined touches. The millstone uses these colors in a more rounded material; the purple and gray sky, painted more widely, announces a change of weather.

The millstone is not yet the exclusive motif of the major series of 1890: it remains an element of the landscape, connected to the field, farms and hillside.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A central subject but still inscribed in the village

The houses and trees remain clearly visible. They give the millstone a rural function and distinguish it from the isolated shepherds that Monet would study a few years later.

02

A shape constructed by curved touches

The strands are not drawn one by one. Yellow, green, pink and blue passages revolve around the volume and suggest both straw and light.

03

A time that changes above the field

The gray pink sky appears heavy, while a lighter strip opens the horizon. This opposition gives the scene its mixture of calm and movement.

Reference image

Read this specific version

The unique high definition image of 6484 × 4800 px was reduced to 3000 × 2221 px and then encoded as a real WebP, without artificial enlargement.

Composition01

Keep the wheel low position

It must remain surrounded by the field so that the foreground retains its width and the village remains readable behind.

Color02

Preserve reds mixed with green

The meadow does not form a flat area of poppies; the two colors interpenetrate in long touches which reflect the grass and the wind.

Matter03

Keep the houses very simple

Their light walls and orange roofs serve as a transition. Architectural details that are too sharp would make them more important than the millstone.

Documented benchmarks

Three pieces of information specific to this work

The Hermitage Museum documents Meule à Giverny, oil on canvas from 1886, 60.5 × 81.5 cm, signed and dated lower right, inventory ʻonds-6563 and Wildenstein catalog 1073.

Pattern01

One of Monet's first millstones in Giverny

The table precedes the systematic series of 1890-1891. The millstone remains here an element of a broader view of the village and its fields.

Comparison02

The same hillside painted a year earlier

The Hermitage notice brings the canvas closer to a field of poppies from 1885 showing this slope without the millstone in the foreground.

Provenance03

From the Shchukin collection to the Hermitage

The work belonged to Sergei Shchukin from 1904, joined the Museum of Modern Western Art in Moscow then entered the Hermitage in 1931.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1073 version
  • The isolated millstone in the foreground
  • The orange-red field crossed with green
  • The farms of Giverny under the purple sky

Work sheet

Title Grinding wheel in Giverny W1073
Artist Claude Monet (1840 -1926)
Date 1886
Original technique Oil on canvas
Dimensions 60.5 × 81.5 cm
Orientation Horizontal
Conservation Hermitage Museum, St. Petersburg, Russia
Inventory ʻilt-6563 · Wildenstein 1073
Your reproduction Handmade oil painting on canvas
Consult the official notice - Hermitage Museum · ʻoult-6563

Presentation in your interior

A palette designed with the room

This horizontal landscape is suitable for a living room, dining room or office. A deep green, powder pink or linen wall and a brown or matte gold frame extend its warm and vegetal accord.

Grinding wheel in Giverny W1073, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Hermitage Museum

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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