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L’Aiguille vue à travers la Porte d’Aval W1049 par Claude Monet, Musée des beaux-arts du Canada

The Needle seen through the Downstream Gate W1049 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Étretat · 1885 -1886 · W1049

The Needle seen through the Downstream Gate W1049hand painted reproduction

From the rocks accessible at low tide, Monet looks at the Aiguille d'Étretat through the immense opening of the Porte d'Aval. The nearby cliff becomes a dark mass that envelops the left edge and top of the canvas, while the light makes the white needle and the sea appear in the distance. This 65 × 92 cm oil on canvas, listed Wildenstein 1049, is kept at the National Gallery of Canada under number 43002.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Needle seen through the Porte d'Aval W1049 - Claude Monet - full view
The Needle seen through the Downstream Gate W1049Claude Monet · 1885 -1886
1885 - 1886Dating
65 × 92 cmDimensions of the original
Oil on canvasOriginal technique
43002 · Wildenstein 1049Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

An almost black arch transforms the Needle into a luminous apparition

The framing is exceptionally close together. The wall of the Downstream Gate occupies most of the left and continues above the opening; the viewer finds himself as if under the rock, facing a narrow passage where the needle, the shore and the marine horizon overlap.

The browns, greens and purples of the cliff do not form a flat area. Small touches of color enliven its surface, then a chalky border captures the light on the interior of the arch. On the right, the pink, blue and cream sky gives the composition its backlight.

Monet does not describe Étretat from the promenade: he looks for a risky viewpoint, at water level, which aligns two rock formations and makes the Porte d'Aval a frame inside the painting.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The nearby cliff as a monumental foreground

Its mass cuts the landscape and deliberately reduces the field of vision. It gives an overwhelming scale to the coast and forces the eye to pass through the clear opening of the arch.

02

The Needle placed in the light

The monolith stands out in the center of the opening with cold whites, blues and ochres. Its vertical silhouette responds to the curve of the arch without merging with it.

03

A backlight constructed by color

The rock is never black: it retains greens, mauves and browns. These shades make possible the transition to the thin white ridge then to the pastel sky.

Reference image

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The single reference image is kept at its native definition of 1600 × 1139 px then encoded in real WebP, without artificial enlargement.

Composition01

Respect the dominant size of the arch

Reducing the cliff to show more sky would take away the boldness of this W1049 version and transform it into a more conventional tourist view.

Color02

Preserve the clear border of the Porte d'Aval

This irregular line separates the rock near the needle and leads the eye from the bottom to the top of the opening.

Matter03

Keep the beach and characters tiny

The faint accents at the foot of the cliffs give scale to the geological masses without distracting attention from the main contrast.

Documented benchmarks

Three pieces of information specific to this work

The version shown is The Needle seen through the Downstream Gate, Wildenstein 1049, oil on canvas of 65 × 92 cm kept at the National Gallery of Canada.

Campaign01

Étretat during the winter of 1885-1886

Monet returns at length to the Normandy cliffs and varies the times, tides and viewing angles in order to avoid the framing already established by the painters who preceded him.

Viewpoint02

Rocks discovered only at low tide

The museum specifies that Monet looks northwest from a difficult to access area. This position allows for the spectacular alignment of the Needle and the Downstream Gate.

Collection03

Donated from the Marjorie and Gerald Bronfman collection in 2010

The work, noted for its backlighting during the Monet exhibition of 1908 at Durand-Ruel, then joined the Canadian national collections.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1049 version
  • The dark mass of the Downstream Gate
  • The Clear Needle exactly in the opening
  • The pastel sky and the sea seen against the light

Work sheet

Title The Needle seen through the Downstream Gate W1049
Artist Claude Monet (1840 -1926)
Date 1885 - 1886
Original technique Oil on canvas
Dimensions 65 × 92 cm
Orientation Horizontal
Conservation National Gallery of Canada, Ottawa, Canada
Inventory 43002 · Wildenstein 1049
Your reproduction Handmade oil painting on canvas
Read the notice of the institution - National Gallery of Canada · 43002

Presentation in your interior

A palette designed with the room

This horizontal landscape is suitable for a living room, office or library. A stone gray, deep green or powder pink wall and a dark brown frame extend the dialogue between monumental rock and coastal light.

The Needle seen through the Downstream Gate W1049, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Needle seen through the Downstream Gate W1049 - Claude Monet
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2px
70 cm
390 cm

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