Morning in Antibes W1170 - Claude Monet

Morning in Antibes W1170 - Claude Monet

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Morning in Antibes W1170 - Claude Monet

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Morning in Antibes W1170 - Claude Monet
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Morning in Antibes W1170 - Claude Monet

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Claude Monet · Antibes · 1888 · W1170

Morning in Antibes W1170hand painted reproduction

A pine tree with widely spread branches frames the bay of Antibes, whose ramparts and towers appear in a pink mist beyond the turquoise water. Signed and dated Claude Monet 88 lower right, this oil on canvas measuring 65.7 × 82.1 cm is kept at the Philadelphia Museum of Art under number 1978-1-22 and corresponds to Wildenstein 1170.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Morning in Antibes W1170 - Claude Monet - full view
Morning in Antibes W1170Claude Monet · 1888
1888Dating
65.7 × 82.1 cmDimensions of the original
Oil on canvasOriginal technique
1978-1-22 · Wildenstein 1170Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The nearby pine makes the distant city emerge in the pink light of the morning

The tree occupies the entire right half, its trunk rising from the shore before dividing into blue and purple branches. The city forms a low band on the left, separated from the viewer by the bay and softened by the atmosphere.

The foliage mixes yellow, blue, green and mauve; the trunk combines red, pink and purple. Opposite, the ramparts are built with small touches of cream and pink, above green water covered in blues.

Antibes is not described as precise architecture: the city is a luminous presence that the bay, the mist and the pine branches make appear in the distance.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A tree used as a living setting

The pine doesn't just occupy the foreground. Its branches direct the gaze towards the city and measure the distance which separates the shore near the ramparts.

02

A city reduced to a horizontal rhythm

Towers, walls and roofs are indicated by small light touches. Their low contrast retains the atmospheric effect of the morning and avoids dry topographical description.

03

A Mediterranean light cooled by mist

Unlike the most vibrant views of Antibes, W1170 combines soft pinks, blues and greens. This range gives the morning a calm light rather than overwhelming heat.

Reference image

Read this specific version

Only one exact image of W1170 is used throughout the file. The real WebP measures 3,000 × 2,000 px, since reduced an actual photograph of the work at the museum to 5,184 × 3,456 px without enlargement.

Composition01

Respect the branched architecture of pine

The trunk separates into several axes and the branches spread to the left. Their precise design organizes the entire composition.

Color02

Keep purple in the shadows

Pine and bushes should not turn black. Purple, blue and red maintain their density while remaining connected to the atmosphere.

Matter03

Keep the city light and pink

The ramparts must remain visible without strong contours. Their low saturation allows the distance and the morning mist to remain.

Documented benchmarks

Three pieces of information specific to this work

The Philadelphia Museum of Art preserves Morning at Antibes, oil on canvas from 1888, 65.7 × 82.1 cm, inventory 1978-1-22 and Wildenstein 1170.

Provenance01

Purchased in Monet by Boussod, Valadon et Cie in October 1888

The painting was acquired the same year of its execution, then passed through several American collections before entering the museum.

Collection02

Legacy of Charlotte Dorrance Wright in 1978

The work joined the Philadelphia Museum of Art and received the number 1978-1-22. Today it belongs to the European painting collection.

Picture03

A real photograph of the work on display at the museum

The unique WebP shows the painting in its carved frame at the Philadelphia Museum of Art. This view retains the scale of presentation and the real appearance of the canvas in the gallery.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1170 version
  • The monumental pine in the foreground
  • The pink ramparts of Antibes
  • The turquoise bay under the morning mist

Work sheet

Title Morning in Antibes W1170
Artist Claude Monet (1840 -1926)
Date 1888
Original technique Oil on canvas
Dimensions 65.7 × 82.1 cm
Orientation Horizontal
Conservation Philadelphia Museum of Art, Philadelphia, Pennsylvania, United States
Inventory 1978-1-22 · Wildenstein 1170
Your reproduction Handmade oil painting on canvas
Consult the official notice - Philadelphia Museum of Art · 1978-1-22

Presentation in your interior

A palette designed with the room

This gentle Mediterranean view is suitable for a living room, bedroom or office. A very light pale blue, gray green or pink wall and a gold or natural frame extend its light.

Morning in Antibes W1170, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

Compare the finishes

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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