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Le Matin sur la Seine près de Giverny de Claude Monet, 1897 – Metropolitan Museum of Art 56.135.4, Wildenstein 1482
  • Le Matin sur la Seine près de Giverny de Claude Monet, 1897 – Metropolitan Museum of Art 56.135.4, Wildenstein 1482
  • Le Matin sur la Seine près de Giverny de Claude Monet, 1897 – Metropolitan Museum of Art 56.135.4, Wildenstein 1482
Le Matin sur la Seine near Giverny, Met W1482 - Claude Monet

Le Matin sur la Seine near Giverny, Met W1482 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet French painting – French artists Impressionist Impressionist gardens and flowers Impressionist Landscapes Impressionist water and coastlines Japonism Metropolitan Museum of Art The Seine by Claude Monet

Artwork description

Reproduction details

Claude Monet · 1897 · Met 56.135.4 · W1482

Le Matin sur la Seine near Giverny, Met W1482hand painted reproduction

At dawn, the trees on the bank form two dark masses around a bright opening. The creamy pink sky descends into the river and creates a column of almost vertical light. Monet began this series in 1896 from his workshop boat, then completed the paintings in 1897 after months of work interrupted by bad weather.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Le Matin sur la Seine near Giverny, Met W1482 - Claude Monet - full view
Le Matin sur la Seine near Giverny, Met W1482Claude Monet · 1897
1897Dating
81.6 × 93 cmDimensions of the original
Oil on canvasOriginal technique
56.135.4 · Wildenstein 1482Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A gap of light connects the sky and its reflection between two blue, purple and green banks

The vegetation on the left occupies more than half of the canvas. It is constructed by layers of blue, green, purple and a few bright pink accents. Its reflection extends the mass in the water without forming exact symmetry.

On the right, smaller trees reveal the sky. The light descends to the foreground, where it turns pink, pale yellow and cream. Blue horizontal touches pass through this reflection and maintain the sensation of a river surface.

Light does not illuminate the landscape from the outside: it becomes a central form that crosses the sky and water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A composition organized around the void

The central gap is the real subject. The two plant masses must frame it without closing it, so that the light retains its depth.

02

Shadows constructed without uniform black

The darkest trees mix deep blue, green, purple and brown. Oil reproduction should preserve these colors instead of reducing them to a black silhouette.

03

The reflection as a distorted extension

The trees descend into the river, but their colors fragment into more horizontal touches. This difference in gesture subtly separates the bank from its image.

Reference image

Read this specific version

The unique Open Access reference image measures 3,791 × 3,345 px. It has been converted to true WebP at its native resolution, without artificial enlargement.

Composition01

Two masses around a clear column

Left vegetation dominates, right responds at a distance, and the creamy pink interval connects the top and bottom of the painting.

Color02

Petrol blue, purple and pinkish yellow

The deep cold of the trees gives its luminosity to the central passage. Complementary colors must remain balanced, without burnt white.

Matter03

A surface worked in shifts

Dense passages show overlays and changes of direction. Their material must remain readable even in dark areas.

Documented benchmarks

Three pieces of information specific to this work

This information concerns Le Matin sur la Seine near Giverny from the Metropolitan Museum, 56.135.4 and Wildenstein 1482.

Identification01

Met 56.135.4, Wildenstein 1482

The Metropolitan Museum dates the oil on canvas to 1897 and publishes dimensions of 81.6 × 93 cm. The catalog raisonné records it under number 1482.

Method02

Painted from a workshop boat at dawn

Monet had spotted the views of the river and was working from a converted boat. He got up before daylight to follow the rapid changes in the light.

Exposure03

Fifteen Mornings shown in 1898

After completing the paintings together in his studio, Monet presented fifteen paintings from the series at the Georges Petit gallery in 1898.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Metropolitan Museum, 56.135.4 and W1482
  • The original horizontal ratio of 81.6 × 93 cm
  • The central gap kept clear without turning white
  • The dark masses preserved colored blue, green and purple

Work sheet

Title Le Matin sur la Seine near Giverny, Met W1482
Artist Claude Monet (1840 -1926)
Date 1897
Original technique Oil on canvas
Dimensions 81.6 × 93 cm
Orientation Horizontal
Conservation Metropolitan Museum of Art, New York, United States
Inventory 56.135.4 · Wildenstein 1482
Your reproduction Handmade oil painting on canvas
Consult the official notice - Metropolitan Museum of Art

Presentation in your interior

A palette designed with the room

Deep blue, purple, green, cream pink and pale yellow give this reproduction a meditative presence. It is suitable for a living room, bedroom or office with soft light.

Le Matin sur la Seine near Giverny, Met W1482, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Le Matin sur la Seine near Giverny, Met W1482 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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