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Le Matin, temps brumeux, Pourville W711 par Claude Monet, Birmingham Museum of Art

Le Matin, foggy weather, Pourville W711 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Pourville · 1882 · W711

In the morning, foggy weather, Pourville W711hand painted reproduction

The cliffs of Pourville barely emerge from a pink-blue mist, above a calm sea whose clear touches dissolve the limit with the sky. Signed Claude Monet 82 lower left, this oil on canvas measuring 61 × 74 cm is kept at the Birmingham Museum of Art under number 1981.40 and corresponds to Wildenstein 711.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Le Matin, foggy weather, Pourville W711 - Claude Monet - full view
In the morning, foggy weather, Pourville W711Claude Monet · 1882
1882Dating
61 × 74 cmDimensions of the original
Oil on canvasOriginal technique
1981.40 · Wildenstein 711Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The mist erases the contours without removing the depth of the coast

The shore enters from the lower left corner and leads to a succession of increasingly pale cliffs. The nearest mass remains low; distant heights appear suspended above the water before melting into the sky.

Blue, sea green, pink, mauve and cream overlap with few contrasts. A few darker lines are enough to place the beach and the relief, while the lighter passages give the humid air its presence.

The composition remains readable because Monet retains small temperature differences between the sea, the sky and the cliffs: the mist connects the planes instead of completely erasing them.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A depth obtained by progressive disappearance

Every distant cliff loses contrast and saturation. This gradation replaces linear perspective and makes the thickness of the air felt.

02

A deliberately uncertain horizon

The sea and the sky share similar values. Their separation remains perceptible thanks to small horizontal variations, without a continuous dark line.

03

Keys visible in a restricted range

Even the palest areas remain painted in touches. The surface is therefore never empty: it records subtle changes of light in the fog.

Reference image

Read this specific version

Only one exact image of W711 is used throughout the file. The real WebP measures 2,400 × 1,955 px and retains the native definition of the public file, without artificial enlargement.

Composition01

Preserve very small gaps

Contrast should remain soft without making the image flat. Each cliff requires a slightly different value to maintain its distance.

Color02

Keep the roses within the blues

These warm hues bring the sky and water to life. Removing them would produce a cold, monochrome mist foreign to this version.

Matter03

Keep the signature at the bottom left

The signature and date Claude Monet 82 belong to the original surface. They must remain discreet but legible in the reproduction.

Documented benchmarks

Three pieces of information specific to this work

The Birmingham Museum of Art documents Le Matin, temps misty, Pourville, oil on canvas from 1882, 61 × 74 cm, inventory 1981.40 and Wildenstein 711.

Signature01

Claude Monet 82 lower left

The museum notice confirms the signature and date painted on the face of the canvas, which directly links the work to the Norman stay of 1882.

Provenance02

Purchased in Monet by Paul Durand-Ruel in April 1882

The merchant acquired the painting a few weeks after its execution. It then passes through several private American collections before entering the museum.

Collection03

Acquired by the Birmingham Museum of Art in 1981

The work is numbered 1981.40 and is presented in the galleries. Its notice retains a detailed provenance until purchase by the museum.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 711 version
  • The succession of cliffs in the mist
  • The horizon almost dissolved
  • The signature and date at the bottom left

Work sheet

Title In the morning, foggy weather, Pourville W711
Artist Claude Monet (1840 -1926)
Date 1882
Original technique Oil on canvas
Dimensions 61 × 74 cm
Orientation Horizontal
Conservation Birmingham Museum of Art, Birmingham, Alabama, United States
Inventory 1981.40 · Wildenstein 711
Your reproduction Handmade oil painting on canvas
Consult the official notice - Birmingham Museum of Art · 1981.40

Presentation in your interior

A palette designed with the room

This misty navy is suitable for a bedroom, living room or quiet space. A very soft pearl gray, pale blue or pink wall and a light frame extend its atmosphere.

Le Matin, foggy weather, Pourville W711, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Le Matin, foggy weather, Pourville W711 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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