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Matinée sur la Seine de Claude Monet, 1897 – Hiroshima Museum of Art, W1479
  • Matinée sur la Seine de Claude Monet, 1897 – Hiroshima Museum of Art, W1479
  • Matinée sur la Seine de Claude Monet, 1897 – Hiroshima Museum of Art, W1479
Morning on the Seine, Hiroshima W1479 - Claude Monet

Morning on the Seine, Hiroshima W1479 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet French painting – French artists Hiroshima Museum of Art Impressionist Impressionist Landscapes Impressionist water and coastlines Japonism Landscapes with River The Seine by Claude Monet

Artwork description

Reproduction details

Claude Monet · 1897 · Hiroshima Museum of Art B0015 · W1479

Morning on the Seine, Hiroshima W1479hand painted reproduction

Two dark banks frame a pink and yellow opening where daylight seems to be born. On the left, large foliage descends like a curtain; on the right, a rounded tree advances towards the center. Between them, the light is reflected in the Seine up to the foreground. The river becomes a clear path interrupted by touches of blue and purple which make the current felt.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Morning on the Seine, Hiroshima W1479 - Claude Monet - full view
Morning on the Seine, Hiroshima W1479Claude Monet · 1897
1897Dating
82 × 93.5 cmDimensions of the original
Oil on canvasOriginal technique
B0015 · Wildenstein 1479Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A gap of pink light crosses the trees and descends into the water in the heart of a still blue landscape

The left bank occupies almost half of the canvas. Its greens are mixed with deep blue, purple and red-brown, with a few small openings where the sky passes between the branches. The right bank is more compact and colder. The gap between their silhouettes draws an irregular luminous shape, much more lively than a perfectly centered axis.

The reflection takes up the warm tones of the sky without copying them. Peach pink, cream and pale yellow descend into the middle of the water, but blue horizontal lines separate them into several levels. On the left, small light spots appear under the foliage like secondary shards. The painting thus advances the gaze by alternating between light and colored shadow.

The first sun does not yet show the details of the landscape; it reveals a passage between the trees and its moving extension in the water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Two banks of different weight

The left bank forms a high and irregular curtain, the right bank a rounder mass. Respecting this asymmetry prevents the composition from becoming a simple central corridor.

02

A warm light surrounded by blues

Pink and yellow gain their intensity thanks to the blues, purples and greens that frame them. Their balance must remain subtle to avoid a sunrise that is too orange.

03

A reflection fragmented by current

The clear column is never continuous. Cold horizontal touches pass through it and give it a vibration that separates the real water from the opening of the sky.

Reference image

Read this specific version

The single reference image measures 926 × 800 px. It corresponds to canvas B0015 from the Hiroshima Museum of Art and has been converted into a real WebP without artificial enlargement.

Composition01

An opening cut by the foliage

The clear sky has a complex shape, carved by distant branches and trees. This flexible outline directs the gaze towards the center without appearing drawn.

Color02

Shadows filled with color

Ultramarine blue, purple, green and red-brown make up the banks. Loyalty is based on these internal nuances, not on a simple opposition between black and light.

Matter03

Keys that change direction

The foliage is constructed by short, grouped gestures; the water uses more horizontal marks. This difference in movement is enough to distinguish the elements despite the mist.

Documented benchmarks

Three pieces of information specific to this work

These landmarks concern the Morning on the Seine of the Hiroshima Museum of Art, inventory B0015 and Wildenstein 1479.

Identification01

Hiroshima Museum of Art B0015, W1479

The institution keeps this oil on canvas from 1897 under the number B0015. It measures 82 × 93.5 cm and bears Monet's signature at the bottom left.

A painting from the Matinées series02

The confluence of the Epte and the Seine at dawn

Monet worked on this series during the summers of 1896 and 1897, from his workshop boat. The two visible banks correspond to the edge of Giverny and Île aux Orties, near the confluence of the two rivers.

A work today in Japan03

A milestone in Hiroshima's European collection

The museum presents this painting among its major works of French impressionism. His collection combines Monet's serial study with other modern European landscapes.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of Hiroshima, inventory B0015 and Wildenstein 1479
  • The original horizontal format of 82 × 93.5 cm
  • Pink and cream light kept clear without becoming too orange
  • The banks preserved colorful even in their darkest passages

Work sheet

Title Morning on the Seine, Hiroshima W1479
Artist Claude Monet (1840 -1926)
Date 1897
Original technique Oil on canvas
Dimensions 82 × 93.5 cm
Orientation Horizontal
Conservation Hiroshima Museum of Art, Hiroshima, Japan
Inventory B0015 · Wildenstein 1479
Your reproduction Handmade oil painting on canvas
Consult the official notice - Hiroshima Museum of Art

Presentation in your interior

A palette designed with the room

Deep blue, purple, cool green, peach pink and cream give this reproduction an intimate light. Its horizontal format is suitable for a living room, bedroom or office, with a light wall, walnut, raw linen and warm but moderate side light.

Morning on the Seine, Hiroshima W1479, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Morning on the Seine, Hiroshima W1479 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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