A crown that extends beyond its own silhouette
The leaves do not form a regular mass. They break off in loops and points, sometimes separated by thin passages of blue sky.
2 · Exemple de la sélection
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Préparation de la sélection…
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3 · Mise en situation
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Imprimez l’œuvre chez vous ou auprès de l’imprimeur de votre choix, ou utilisez la version écran sur ordinateur, tablette et téléphone.
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Comprendre les formats
Vincent van Gogh · October 1889 · Saint-Rémy-de-Provence, France
A yellow mulberry tree seems to spring from a stony embankment under an intense blue sky. The dark trunk divides into nerve branches which bear a crown of thick leaves, almost sculpted in color.
Look at the work
The mulberry tree occupies almost the entire width and stands out seamlessly against the blue. Its brown and black branches wind to the upper edge, causing yellow, orange and green leaves to move in opposite movements.
The light embankment rises diagonally behind the trunk. Van Gogh covers it with bluish whites, yellows, greens and grays; a purple shadow at the foot of the tree gives weight to this luminous mass.
The tree is treated as a living presence: the trunk resists, the crown unfolds and each color contrast amplifies its energy.
Composition, touch and color
The Norton Simon Museum preserves Le Mûrier under the inventory M.1976.09.P. The work measures 54 × 65 cm and bears the references F637/JH1796.
The leaves do not form a regular mass. They break off in loops and points, sometimes separated by thin passages of blue sky.
The museum highlights the thickness of the chrome yellow. Van Gogh even modeled certain areas with the brush handle, giving the foliage a bas-relief appearance.
The orange-yellow of the tree faces the intense blue of the sky; the purple shadow in turn reinforces the yellows of the terrain. The balance depends on these frank oppositions.
Documented benchmarks
Le Mûrier was painted in October 1889 in Saint-Rémy. This oil on canvas measuring 54 × 65 cm is cataloged F637/JH1796.
On October 5, 1889, Van Gogh described to Theo an entirely yellow mulberry tree standing out against the blue of the sky. This opposition constitutes the central principle of the canvas.
The Norton Simon Museum audio guide explains that the painter applied the yellow in a thick layer, then worked on certain parts with the handle of his brush.
Pissarro saw the painting in Theo van Gogh's Parisian gallery and exchanged it for one of his own works. The Norton Simon Museum received it as a donation in 1976.
Your reproduction
The copy must preserve the thickness of the yellow leaves, the dark branches visible between them, the pure blue sky, the striated embankment and the purple shadow at the foot of the trunk.
| Title | The Mulberry Tree |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | October 1889 |
| Place of creation | Saint-Rémy-de-Provence, France |
| Original technique | Oil on canvas |
| Dimensions | 54 × 65 cm |
| Inventory | Norton Simon M.1976.09.P · F637 · JH1796 |
| Conservation | Norton Simon Museum, Pasadena |
| Your reproduction | Handmade oil painting on canvas |
In your interior
Horizontal format is suitable above a sideboard, desk or headboard. Solar yellow and deep blue match dark wood, black metal and light gray walls.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The public domain reproduction of 2512 × 2076 px has been converted to true WebP at its original definition, without artificial cropping or enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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