A great plant asymmetry
The visual weight is concentrated on the left, while the more spaced water lilies make the right breathe. Reproduction must preserve this balance without artificially refocusing the bouquet.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1914 -1917 · Chichu Art Museum · W1817
A bouquet of grasses rises from the left edge and extends with flexible stems in the center of the pool. Around it, white, yellow and pink water lilies float in blue and purple water. Monet no longer separates the plants, their reflection and the depth: this large canvas from 1914 -1917 transforms the Giverny garden into a continuous field of colorful gestures.

Look at the work
The main tuft rises throughout the left half. Its long dark green, turquoise and lemon yellow leaves curve in several directions. They form a compact mass at the base, then become more airy as they approach the center.
On the right, the water lily leaves are organized into irregular groups. Some are almost white, others bordered with red or brown. The blue of the pool remains visible between them and receives purple touches which give depth without resorting to a horizon.
The table does not only show plants on the water: it circulates the same gestures between foliage, reflection and surface.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The visual weight is concentrated on the left, while the more spaced water lilies make the right breathe. Reproduction must preserve this balance without artificially refocusing the bouquet.
Light leaves are often highlighted with red, brown or purple. These borders do not draw closed shapes; they make the edge vibrate on contact with blue.
The long gestures of the grass cross the shorter touches of the water. Their difference in direction gives the surface its energy and must remain visible in a hand-painted reproduction.
Reference image
The single reference image measures 1969 × 1849 px. It has been converted to true WebP at its native resolution, without artificial enlargement.
The bouquet forms a continuous anchor, while the leaves on the right remain fragmented. The contrast between density and dispersion structures the entire format.
Light colors are never neutral. Yellow, pink and red appear even in the flowers and almost white leaves.
In the center, some stems can be read as plants or as their reflections. Reproduction must retain this ambiguity instead of specifying each shape.
Documented benchmarks
These landmarks concern Water Lilies, bouquet of herbs from the Chichu Art Museum, Wildenstein 1817.
This oil on canvas from 1914 -1917 measures 200 × 213 cm. It belongs to the group of five paintings by Monet preserved at the Chichu Art Museum in Naoshima.
The museum designed by Tadao Ando presents the Monets in a space where natural light varies throughout the day, changing the perception of blues, greens and whites.
From 1914, Monet intensely took over the water lily pool and worked on monumental canvases intended to envelop the eye.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Water Lilies, Herb Bouquet, Chichu W1817 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1914 - 1917 |
| Original technique | Oil on canvas |
| Dimensions | 200 × 213 cm |
| Orientation | Horizontal |
| Conservation | Chichu Art Museum, Naoshima, Japan |
| Inventory | Wildenstein 1817 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Lavender blue, deep green, lemon yellow, warm white and pink give this horizontal reproduction a luminous and vegetal presence. It is suitable for a large light wall in a living room or bedroom.
Custom order
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Your reproduction is hand-painted entirely in oil.
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You receive your canvas rolled, protected, and shipped with tracking.
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