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Water Lilies, Kagoshima W1506 - Claude Monet

Water Lilies, Kagoshima W1506 - Claude Monet

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Water Lilies, Kagoshima W1506 - Claude Monet

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Water Lilies, Kagoshima W1506 - Claude Monet
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Water Lilies, Kagoshima W1506 - Claude Monet

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Claude Monet · around 1897 -1898 · Kagoshima · W1506

Water lilies, Kagoshima W1506hand painted reproduction

Two white flowers illuminate midnight blue water covered with large leaves. Nothing reveals the shore, sky or depth of the garden: the canvas is almost entirely occupied by the dark surface of the pond. This work by Kagoshima belongs to the first oil-painted Water Lilies and retains a more direct observation of plants than the vast late compositions.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water Lilies, Kagoshima W1506 - Claude Monet - full view
Water lilies, Kagoshima W1506Claude Monet · Around 1897 -1898
Around 1897 -1898Dating
89 × 130 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1506Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Two white flowers are enough to orient an almost nocturnal surface of water

The first flower is placed in the upper third, slightly to the right of the center; the second, lower and more open, shifts to the left. Their diagonal avoids any symmetry. Around them, the leaves overlap without regular alignment. Some are drawn by a blue circle, others almost disappear in black greens, while some purple edges suggest the movement of light.

The background is never a simple dark solid. Monet superimposes Prussian blues, purples, bottle green and silver-gray traces that revolve around the leaves. The white petals themselves contain blue, mauve and an orange-yellow heart. The small yellow signature, at the bottom right, closes the composition without competing with the flowers.

By removing any horizon, Monet transforms a very precise botanical observation into a color field where each leaf seems to appear and then dissolve.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Water Lilies, Kagoshima W1506 - Claude Monet
01

Two flowers connected by a diagonal

The tall flower and the low flower are neither the same size nor the same orientation. Their offset structures the entire length of the canvas and must remain clearly perceptible.

02

Sheets constructed by transparency

Large discs are not surrounded evenly. Some edges are affirmed by a light blue, others blend into the water; this alternation gives the pool its depth.

03

A darkness composed of several temperatures

Cool blue, purple, black green and warm brown intersect between the water lilies. Distinguishing them is essential for reproduction to retain its vibration instead of turning black.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The low flower in the middle of the blue leaves - detail of Water Lilies, Kagoshima W1506 - Claude Monet
The low flower among the blue leavesThis native cropping shows the petals constructed by white, blue and purple. Around, the contours of the water lilies close then fade following the light.
The tall flower and signature of Monet - detail of Water Lilies, Kagoshima W1506 - Claude Monet
The tall flower and Monet's signatureThe second view brings together the upper flower, the large, very dark leaves and the small yellow signature on the lower right edge. It reveals the chromatic richness of the areas which appear black from a distance.

The best documented native scan of this version measures 1163 × 783 px. The two details of 600 × 500 px and 700 × 740 px are taken directly from this file, without artificial enlargement. The three media are real controlled and decodable WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Kagoshima, Wildenstein 1506

The Kagoshima City Museum of Art dates these Water Lilies to around 1897 -1898. The oil on canvas measures 89 × 130 cm and corresponds to number 1506 of the Wildenstein catalog raisonné.

Place in the series02

One of the first oils dedicated to water lilies

The museum presents this painting as one of the first oil paintings of the vast ensemble of Water Lilies. It remains more graphic and closer to observation than late works, where the motif becomes more and more abstract.

Giverny Garden03

A pool designed like an open-air workshop

Monet creates the work in his water garden in Giverny. The leaves, the two flowers and the subtle changes of light show that he already studies the basin as an autonomous world, without needing to represent the shore.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of Kagoshima, Wildenstein 1506
  • The original horizontal format of 89 × 130 cm
  • The precise diagonal formed by the two white flowers
  • Blues, purples and greens kept separately in the darkest passages

Work sheet

Title Water lilies, Kagoshima W1506
Artist Claude Monet (1840 -1926)
Date Around 1897 -1898
Original technique Oil on canvas
Dimensions 89 × 130 cm
Orientation Horizontal
Conservation Kagoshima City Museum of Art, Kagoshima, Japan
Inventory Wildenstein 1506
Your reproduction Handmade oil painting on canvas
Consult the official notice - Kagoshima City Museum of Art

Presentation in your interior

A palette designed with the room

Midnight blue, purple, deep green, bluish white and discreet yellow give this reproduction a calm and enveloping presence. Its horizontal format is suitable above a sofa, console or bed, with dark woods, gray linen and soft light.

Water lilies, Kagoshima W1506, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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