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Water lilies, Neue Pinakothek W1796 - Claude Monet

Water lilies, Neue Pinakothek W1796 - Claude Monet

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Water lilies, Neue Pinakothek W1796 - Claude Monet

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Water lilies, Neue Pinakothek W1796 - Claude Monet
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Water lilies, Neue Pinakothek W1796 - Claude Monet

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Trois rendus pour une même œuvre

Claude Monet · circa 1915 · Neue Pinakothek 14562 · W1796

Water lilies, Neue Pinakothek W1796hand painted reproduction

More than two meters wide, the Giverny pond fills the entire field. A white flower and three pink water lilies punctuate green and red leaves, while the long branches of a willow are reflected in the water. Monet shows neither bank nor sky: the liquid surface carries plants, light and depth at the same time.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies, Neue Pinakothek W1796 - Claude Monet - full view
Water lilies, Neue Pinakothek W1796Claude Monet · around 1915
around 1915Dating
151.4 × 201 cmDimensions of the original
Oil on canvasOriginal technique
14562 · Wildenstein 1796Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Four flowers emerge from blue and green water crossed by the supple reflections of a willow tree

Water lilies are distributed in irregular layers. The densest group stretches in the lower half, with leaves seen at an angle or almost from the front. Brown reds, dark greens and earthy yellows give weight to these floating discs. The flowers, rarer, thus become real points of light.

In the upper part, long green and blue touches descend like ribbons. They evoke the branches of the willow located outside the frame and reflected by the pool. These verticals intersect the horizontal movements of the water, so that the canvas oscillates between a decorative surface and a deep space.

The leaves hold the eye to the surface, while the reflections of the willow carry it underwater: the entire composition is born from this tension.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A surface without horizons

No strip of sky or bank allows the distance to be measured. The framing immerses the viewer in the pool and makes each blue or green variation an index of light, vegetation or depth.

02

Four flowers as accents

The white flower and the three pink flowers remain small compared to the monumental format. Their spacing punctuates the reading and must be preserved without enlarging them or artificially reinforcing their contours.

03

The willow present only by its reflection

The long vertical touches do not represent underwater plants. They reflect the branches which are out of field and give the water a moving depth, very different from a uniform blue background.

Reference image

Read this specific version

The only reference image comes from the official reproduction of the Bayerische Staatsgemäldesammlungen. It measures 3,000 × 2,253 px and has been converted into a real WebP without artificial enlargement.

Composition01

Uneven sheets of leaves

Water lilies are tighter in the lower half and allow more water to breathe at the top. This difference in density organizes depth without geometric perspective.

Color02

A very constructed water palette

Cobalt blue, emerald green, turquoise, purple and brown overlap. Faithful reproduction must keep these temperatures separate so that the pond remains bright even in its dark passages.

Matter03

A full touch to the scale of the painting

Visible gestures remain broad because the original measures more than two meters. The contours of the leaves are made and undone in the material, while the flowers receive some more precise accents.

Documented benchmarks

Three pieces of information specific to this work

These benchmarks concern the version kept in Munich under number 14562 and listed Wildenstein 1796.

Identification01

Neue Pinakothek 14562, W1796

Painted around 1915, this oil on canvas measures 151.4 × 201 cm. The instructions for the Bayerische Staatsgemäldesammlungen call it Seerosen, i.e. Water Lilies.

A work entered in 197802

Acquisition on the art market

Bavarian collections acquired the painting in 1978. It now belongs to the Neue Pinakothek, whose works are presented in Munich museums during the renovation of the building.

The pelvis as a total subject03

Water occupies the entire composition

The museum's notice emphasizes the disappearance of the traditional landscape: plants and reflections are enough to build space, without horizon and without a stable terrestrial element.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Neue Pinakothek, inventory 14562 and Wildenstein 1796
  • The original horizontal ratio of 151.4 × 201 cm
  • The white flower and the three pink flowers maintained on their small scale
  • The vertical reflections of the willow preserved in nuanced blue and green water

Work sheet

Title Water lilies, Neue Pinakothek W1796
Artist Claude Monet (1840 -1926)
Date around 1915
Original technique Oil on canvas
Dimensions 151.4 × 201 cm
Orientation Horizontal
Conservation Neue Pinakothek - Bayerische Staatsgemäldesammlungen, Munich, Germany
Inventory 14562 · Wildenstein 1796
Your reproduction Handmade oil painting on canvas
Consult the official notice - Bayerische Staatsgemäldesammlungen

Presentation in your interior

A palette designed with the room

Deep blue, turquoise, willow green, pale pink and red brown give this reproduction an immersive presence. Its horizontal format is suitable above a sofa, sideboard or large desk, with natural wood and soft side light.

Water lilies, Neue Pinakothek W1796, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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