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Water Lilies, Marmottan Monet Museum W1864 - Claude Monet

Water Lilies, Marmottan Monet Museum W1864 - Claude Monet

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Water Lilies, Marmottan Monet Museum W1864 - Claude Monet

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Water Lilies, Marmottan Monet Museum W1864 - Claude Monet
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Water Lilies, Marmottan Monet Museum W1864 - Claude Monet

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Claude Monet · 1916 -1919 · Marmottan Monet Museum 5098 · W1864

Water Lilies, Marmottan Monet Museum W1864hand painted reproduction

A blue-green surface occupies the entire canvas, crossed by long purple flows and lighter reflections. Oval leaves float in small groups, especially around the center. Among them, a few red, yellow and pink flowers burst like very short signs. Without horizon or bank, Monet makes the pond a vertical depth that the water lilies interrupt and bring back to the surface.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water Lilies, Marmottan Monet Museum W1864 - Claude Monet - full view
Water Lilies, Marmottan Monet Museum W1864Claude Monet · 1916 -1919
1916 - 1919Dating
130 × 152 cmDimensions of the original
Oil on canvasOriginal technique
5098 · Wildenstein 1864Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Red and yellow flowers punctuate cold water where the leaves float in front of the reflections of the willow

The leaves are not drawn one by one. Some are reduced to a purple ellipse, others superimpose green, blue, pink and brown. They remain more numerous in the middle zone and allow large passages of water to breathe around them. The flowers, even smaller, concentrate the warm color without dominating the whole.

Behind these horizontal shapes, the reflections descend in blue, green and purple gestures. Their vertical direction evokes the branches of the willow, but they do not describe any complete tree. Shorter touches blur these columns and restore water mobility. The depth then seems to move according to the distance of the gaze.

Water lilies do not decorate the surface: they give scale and rhythm to a space of water that has become almost limitless.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Oval leaves as visual stops

Their horizontality opposes long vertical reflections. Respecting their intervals and their slight rotations is essential to keep the composition breathing.

02

Warm flowers on a cold range

Red, yellow and pink appear in small touches in the middle of blues and greens. Enlarging or saturating them too much would shift the entire balance of the painting.

03

A depth without classic perspective

No horizon measures space. Superpositions of reflections, leaves and colored layers alone create the feeling of depth.

Reference image

Read this specific version

The single reference image measures 2,200 × 1,844 px. It corresponds to canvas 5098 from the Marmottan Monet Museum and has been converted into a real WebP without artificial enlargement.

Composition01

A dense center surrounded by open water

Leaves and flowers concentrate around a flexible axis, but the edges remain freer. This difference in density prevents the composition from becoming a uniform seedling.

Color02

Blues and greens crossed with purple

Cold areas contain many temperatures: turquoise, blue gray, olive green and purple. Their alternation gives the pool its vibration.

Matter03

A completed canvas intended to be sold

The Marmottan Museum distinguishes this accomplished work from late studies left with large reserves of canvas. Here, the material covers the field and constructs an autonomous composition.

Documented benchmarks

Three pieces of information specific to this work

These landmarks concern the Water Lilies of the Marmottan Monet Museum, inventory 5098 and Wildenstein 1864.

Identification01

Marmottan Monet Museum 5098, W1864

This oil on canvas, painted between 1916 and 1919, measures 130 × 152 cm. It bears at the bottom right the stamp of the "Claude Monet" estate.

A major legacy02

Entrance to the museum by Michel Monet in 1966

Michel Monet, son of the painter, bequeathed the work to the Marmottan Museum in 1966 with the exceptional ensemble preserved in the Giverny workshop.

A successful painting03

An easel composition designed for sale

The museum notice describes this painting as a completed work, intended for sale. It is distinguished from incomplete studies by the continuous coverage of the surface and by the precise balance of leaves and flowers.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Marmottan Monet Museum, inventory 5098 and W1864
  • The original horizontal format of 130 × 152 cm
  • Warm flowers kept small in front of the blue-green expanse
  • Oval leaves preserved as a counterpoint to vertical reflections

Work sheet

Title Water Lilies, Marmottan Monet Museum W1864
Artist Claude Monet (1840 -1926)
Date 1916 - 1919
Original technique Oil on canvas
Dimensions 130 × 152 cm
Orientation Horizontal
Conservation Marmottan Monet Museum, Paris, France
Inventory 5098 · Wildenstein 1864
Your reproduction Handmade oil painting on canvas
Consult the official notice - Marmottan Monet Museum

Presentation in your interior

A palette designed with the room

Blue green, turquoise, purple, pink and orange-red give this reproduction a fresh and deep presence. It is suitable for a living room, bedroom or office, with warm cream or gray walls, natural wood and side light that reveals the material.

Water lilies, Marmottan Monet Museum W1864, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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